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Julia Debord-Dany

Designer, artist
Spring 2025

  • Craft & Design
  • New York

“I encourage the exploration of new modes of production and the pursuit of symbiotic relationships in design.”

I am a designer and visual artist, interested in what we leave behind as a civilization, as an invitation to emancipation and proliferation. Throughout my travels, I observe the remnants of human activity left everywhere. These discards and carcasses are the ruins of today, ostentatious witnesses of our passage. I am always fascinated by the way nature, wherever it can, adapts, composes, and develops around these intrusions.

I am passionate about these natural phenomena in their infinite forms and manners: the mineral that sediments and concretizes, the fungus that colonizes, the plant that insinuates and entwines… or how nature resists, emancipates, and fights back. These unexpected interactions between artificial structures and natural resilience are full of meaning.

The chimeras they produce are my starting point. In both a research and production posture, I draw inspiration from these mechanics to create narratives and fictions that question these power dynamics through objects. These dynamics drive me to reflect on the relevance of materials in the creation process, as well as to constantly seek new materials and textures.

By trying to understand and integrate these processes, I invite reflection on new modes of production and aim for symbiotic relationships in design.

 

Julia Debord-Dany is a designer and visual artist based in Saint-Étienne, graduated with a master’s degree in object design from ESADSE in 2019. Her work explores our relationship with nature, offering new perspectives and a poetic view of materials. She was an artist in residence in duo at Hyères in 2023 (LM Studio and Forêt Modèle de Provence) and in Cambodia in 2024 (Institut Français du Cambodge). Her works have been exhibited notably at the XII International Design Biennale of Saint-Étienne, Galerie Poggi (Paris), and LM Studio (Hyères).

In my projects, I have often worked with so-called “classic” materials in the furniture sector (polyurethane foam, metal, wood, silicone, etc.). I am convinced that there is an infinity of other solutions, specific to each territory and sometimes more environmentally coherent. This is what I intend to investigate.

I maintain a strong connection with materials; they are the starting point of my work and the focus of this residency. In a documentation and research posture, I want to create an overview of materiality in New York, based on the principle of: What remains, what grows.

What remains is to understand waste management and reuse in New York. It involves identifying the “deposits” and meeting those who transform them at different scales.

On the current ruins of what we produce daily, what is growing? What grows are the ideas and initiatives that emerge, from the faculty to the laboratory, from the factory to the workshop.

Throughout these encounters, I would like to discuss the sometimes very special relationship we have with a material. I want to discover and understand materials rooted in a specific historical and human context, and thus celebrate creativity and adaptability in the current environmental context. I hope to establish lasting relationships, enrich my work, and perhaps sketch out new collaborations.

Upon returning to France, the goal is to disseminate this knowledge, to collect this material in the form of a publication to share the insights I will have gathered during this residency with current and future designers.

Focusing on the relevance of materials means considering a defined territory, with its own mechanics, issues, and resources. New York is probably the densest and most exemplary case of this.

I have chosen New York because it is a territory that combines a rich history with a leading edge in sustainability, at all scales. In terms of reuse and recycling, I will explore material markets like Build It Green!NYC and MFTA, which are concrete examples of the circular economy in action.

I will also engage with institutions like the Center for Sustainable Development at Columbia University, which embraces a holistic view of sustainability and offers numerous events and meetings.

From an innovation perspective, I will focus on Material ConneXion, a materials library in Manhattan, and innovative companies and industries that will help me understand the practical applications of these materials.

To enrich this overview, I will meet with my peers in Brooklyn’s creative ecosystem. This environment will allow me to innovate and experiment, forge interdisciplinary connections, and create in resonance with contemporary issues.

In partnership with

WantedDesign

About WantedDesign:

Founded in 2011 in New York City by French New Yorkers Odile Hainaut and Claire Pijoulat, WantedDesign has evolved into a dynamic connector and amplifier for global design, fostering creative synergy and serving as a pivotal crossroad for the international design community. Following an important transformation for these past years, the multi-generational, women-led company now includes Colombian partner Daniela Giraldo Hinestroza and will continue to build on its foundation of community, education, and curation. Through its diverse array of programs- including residencies, workshops, immersion trips, and a membership program- WantedDesign connects designers at every stage of their career with key players of the industry across the Americas and Europe. Claire and Odile, based in New York, have also taken on the role of Brand Directors for ICFF since 2023. Daniela continues to lead from her hometown of Medellín, Colombia.

WantedDesign’s legacy includes the successful WANTED (previously known as the WantedDesign Manhattan), acquired by Emerald Expositions in 2019 to become a section within the International Contemporary Furniture Fair. Co-founders, Odile and Claire, stepped into their role as brand directors of ICFF in 2023 and will continue to do lead the show in 2024. WantedDesign will continue to support the WANTED section at ICFF to spotlight outstanding emerging design.

 

About WantedDesign’s Residency Program:

Presented in partnership with Industry City, the WantedDesign Residency program in New York offers a one-of-a-kind opportunity for international creatives to immerse themselves in the city’s vibrant design scene. With the support of international cultural organizations, this tailored immersion allows residents to explore, research, network and gain a deeper understanding of the US market and of its opportunities.

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Bettencourt Schueller Foundation

Bettencourt Schueller Foundation strives to embody the will of a family, driven by the spirit of enterprise and awareness of its social role, to reveal talents and help them thrive, in three fields that contribute concretely to the common good: life sciences, the arts and solidarity. Both a family foundation and recognized as a public utility since its creation in 1987, the Bettencourt Schueller Foundation intends to give wings to talent to contribute to the success and influence of France.

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