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Antonin Odin

Industrial Designer
April-May 2026

  • Craft & Design
  • New York

“Exploring New York’s refurbishing ecosystems to imagine new upcycled objects—adapted to the American market and carrying a desirable, circular vision.”

I am an industrial designer, a graduate of ENSCI – Les Ateliers, where I developed an approach based on prototyping, experimentation, and the hybridization of design, engineering, and emerging technologies. Based between Paris and Saint-Étienne, I currently work independently, collaborating with several major French industrial groups on innovation and R&D projects.

I come from a family of artisans — builders of mechanical barrel organs (Odin’s Organs) — and grew up in a culture of making. This manual and critical sensitivity quickly led me to repurpose, document, and rebuild technical objects as a way to learn and imagine alternative futures.

Since 2021, I’ve been developing ComputerKIT, a project that is both experimental and industrial, questioning how computer hardware can be made from refurbished components. This work is part of a broader reflection on digital sovereignty, system circularity, and the reappropriation of local value chains.

Through this residency in New York, I aim to extend this approach by exploring the evolution of the refurbished electronics market in the United States — studying industrial models, consumer perceptions, and upcycling initiatives. The objective: to open a transatlantic dialogue on alternative forms of production, desirability, and reuse.

 

Antonin Odin is an industrial designer whose work explores the intersections between design, technology, and circularity through a research-driven, prototyping-based approach. He regularly collaborates with EDF, Thales, and the CEA on R&D projects, and filed a patent in the field of solar energy in 2024. A WantedDesign winner (New York, 2022) and finalist for the Agora Design Grant (2024), his projects were showcased at the Saint-Étienne International Design Biennial (2025).

My residency project is a continuation of ComputerKIT, a design-driven research initiative I launched in 2021 that explores the production of modular computers using refurbished electronic components. The aim is to offer a desirable, circular, and adaptable alternative to current hardware industry standards—while questioning our technological dependencies, industrial sovereignty, and the potential of upcycled design.

This residency will allow me to immerse myself in a dense technological ecosystem such as New York’s, identify key players in the refurbishment sector, document local practices, and test my hypotheses in a different cultural and industrial context. I aim to understand the recovery chains for electronic components (particularly those stemming from corporate hardware renewals), investigate existing upcycling initiatives, and explore the habits, needs, and imaginaries of American creators and consumers.

The work will unfold in three main stages:

– a mapping of the e-waste and refurbishment ecosystem in New York City;

– an immersion phase at Industry City, New Lab, and the Lower East Side Ecology Center through interviews, site visits, and exchanges with designers, engineers, startups, and active organizations;

– an exploratory phase, formulating usage scenarios and product concepts (technical objects, displays, hybrid furniture…), and if possible, developing exploratory prototypes tailored to the U.S. market.

This research will also provide an opportunity to take a step back from the current directions of ComputerKIT and expand the scope of refurbished design to new categories of objects.

New York is an ideal setting to explore the challenges of computer refurbishment. A technological, cultural, and industrial hub, the city brings together cutting-edge innovation, a dynamic maker culture, and growing attention to sustainability and circular economy practices. The relationship to hardware here is unique—at the crossroads of design, performance, and creative uses.

My interest lies in understanding the life cycle of electronic components in this context: how are components from large corporate IT infrastructures collected, processed, resold, or repurposed? Which companies or startups are tapping into these flows to design new products? And how do users value the second life of a computer, a screen, or a graphics card?

I hope to meet designers, engineers, researchers, and entrepreneurs involved in e-waste, refurbishing, and circular design, as well as creative users—artists, scenographers, and technologists—to better grasp the imaginaries surrounding refurbished hardware.

My research will focus on locations such as Industry City—a vibrant creative ecosystem—, the New Lab at Brooklyn Navy Yard, an incubator dedicated to hardware innovation, and the Lower East Side Ecology Center, a key player in recycling and reuse in New York. These spaces will allow me to confront my hypotheses with real-world practices, build transatlantic connections, and ground my work in a technical, cultural, and forward-looking approach.

In partnership with

ENSCI – Les Ateliers

https://www.ensci.com/en/

Bettencourt Schueller Foundation

Bettencourt Schueller Foundation strives to embody the will of a family, driven by the spirit of enterprise and awareness of its social role, to reveal talents and help them thrive, in three fields that contribute concretely to the common good: life sciences, the arts and solidarity. Both a family foundation and recognized as a public utility since its creation in 1987, the Bettencourt Schueller Foundation intends to give wings to talent to contribute to the success and influence of France.

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Wanted Design

Founded in 2011 in New York City by French New Yorkers Odile Hainaut and Claire Pijoulat, WantedDesign has evolved into a dynamic connector and amplifier for global design, fostering creative synergy and serving as a pivotal crossroad for the international design community. Following an important transformation for these past years, the multi-generational, women-led company now includes Colombian partner Daniela Giraldo Hinestroza and will continue to build on its foundation of community, education, and curation. Through its diverse array of programs- including residencies, workshops, immersion trips, and a membership program- WantedDesign connects designers at every stage of their career with key players of the industry across the Americas and Europe. Claire and Odile, based in New York, have also taken on the role of Brand Directors for ICFF since 2023. Daniela continues to lead from her hometown of Medellín, Colombia. 

WantedDesign’s legacy includes the successful WANTED (previously known as the WantedDesign Manhattan), acquired by Emerald Expositions in 2019 to become a section within the International Contemporary Furniture Fair. Co-founders, Odile and Claire, stepped into their role as brand directors of ICFF in 2023 and will continue to do lead the show in 2024. WantedDesign will continue to support the WANTED section at ICFF to spotlight outstanding emerging design. 

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