Celebrate Digital Culture and Live Performance with Nocturne Immersion

Katherine Helen Fisher is a choreographer, director, and interdisciplinary artist working at the intersection of dance, film, and emerging technologies. A former member of the Lucinda Childs Dance Company, she is the co-founder of Safety Third Productions, a creative studio focused on immersive performance and digital media. Fisher’s work explores embodiment, memory, and the future of movement, often collaborating with artists, technologists, and scientists. Her projects have been presented internationally, including at institutions such as the Getty Center, Lincoln Center, and in digital spaces around the world.​

Leigh Tanner is Head of Global Partnerships at VIVE Arts, leading collaborations with artists, cultural institutions, and creative collectives worldwide. She has overseen projects spanning VR exhibitions, XR showcases, and NFT commissions for organizations including the Mucha Foundation, London’s Serpentine, and Chi Wen Gallery in Taipei. Her work supports the growth of VIVE Arts’ digital ecosystem, helping emerging artists and institutions navigate immersive technologies and blockchain innovations.

Pierre Lungheretti is the Deputy Director of Chaillot – Théâtre National de la Danse. He has held leadership roles across France’s cultural institutions, including as Director General of the Cité Internationale de la Bande Dessinée et de l’Image in Angoulême and President of the CCN2 – Centre Chorégraphique National de Grenoble. With a career spanning government, cultural administration, and strategic consulting, he has contributed to major initiatives in dance, visual arts, and cultural policy.

Blanca Li is a Spanish choreographer, dancer, and director and founder of the Blanca Li Dance Company in Paris. Trained at the Martha Graham School in New York, she blends contemporary dance with flamenco, hip-hop, and classical forms, and explores immersive technologies including VR and robotics. Her award-winning VR work, Le Bal de Paris, combines virtual reality, live performance, and interactive storytelling, and she continues to push the boundaries of dance through mixed and extended reality experiences. 

Jordana Leigh is Vice President of Artistic Programming at Lincoln Center, where she has produced over a thousand performances, commissioned 60 works, and led collaborations across music, dance, and visual arts. She is spearheading Lincoln Center’s expansion into XR Arts, including the 2024 premiere of Nona Hendryx’s Dream Machine and the launch of the Collider Fellowship for artists working at the intersection of arts and technology.

NSDOS (Kirikoo Des / Koo Des) is a French artist who merges dance, music, hacking, and biology into hybrid forms of expression. Coming from hip-hop, he explores glitches and system cracks as creative engines, transforming errors into new artistic languages. His performances, from Centre Pompidou to MUTEK Montréal, blur the lines between concert, installation, and ritual. From Alaska to the Gwangju Biennale, he has turned environmental data, insects, metabolism, and collective intelligence into real-time music and movement. Today, with Avatar Métabolique and Activate Cities, he continues to hijack systems to reveal new artistic, technological, and organic life forms.

Social Media:

https://www.instagram.com/koodes_k/
https://soundcloud.com/nsdoslazerconnect
https://www.youtube.com/NSDOS

Clémence Debaig is a French dance artist, XR maker, and creative technologist, serving as Artistic Director of Unwired Dance Theatre. Working across physical and virtual spaces, her work explores control, empathy, and intimacy, questioning how technology mediates human interaction. She has presented at venues including Jacob’s Pillow, Maison de la Danse, and The Cockpit, and lectures at Goldsmiths University on motion capture, digital embodiment, and immersive theatre.

Sarah Silverblatt-Buser is a director, dancer, choreographer, and educator. Based in Paris since 2018, she performs internationally with acclaimed cirque artist Yoann Bourgeois, the Company 47-49, and has danced in numerous projects including at the Grammy Awards with Harry Styles. She has choreographed works ranging from Street Art, a performance relating neoclassical music with parkour, to La Petite Danseuse in AR for the Musée d’Orsay and Danse, Danse, Danse in VR for the Paris Museum of Modern Art. Recently, her directorial debut in VR, Collective Body, was selected to the 82nd Mostra de Venice Immersive Competition. Her teaching experience includes a guest professor appointment at the Barnard College of Columbia University, teaching Digital Performance and Dance Improvisation.

Jonathan Camuzeaux is a French-American multidisciplinary artist and climate justice professional. Trained as a musician from a young age, Jonathan started his artistic career as a bassist and composer in France, where he was born and raised. Since leaving France in 2005, Jonathan has created work across artistic disciplines, including through the mediums of music, performance, storytelling, and photography.