Jacques Tati’s Playtime at the American Cinematheque

For this monumental achievement, a nearly three-year-long, bank-breaking production, Tati again thrust the lovably old-fashioned Monsieur Hulot, along with a host of other lost souls, into a baffling modern world, this time Paris. With every inch of its superwide frame crammed with hilarity and inventiveness, PLAYTIME is a lasting record of a modern era tiptoeing on the edge of oblivion.
35mm, 1967, 124 Minutes, France.

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