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Villa Albertine and Unifrance Announce 2023 Selection for Young French Cinema

New York, January 23, 2023 – Villa Albertine and Unifrance today announced the official selection for the ninth edition of the Young French Cinema program. Designed to support films without existing US distribution, Young French Cinema brings the work of emerging French filmmakers to audiences across the Unites States. The 2023 program is now available for booking by art house cinemas, film societies, the Alliance Française network, and American universities.

In collaboration with Unifrance, Young French Cinema is one of Villa Albertine’s numerous multidisciplinary programs aimed at building a vibrant community of arts and ideas between the US and the French-speaking world. In this spirit, Young French Cinema offers a selection of today’s best films and filmmakers, who have continually been singled out for praise by the international press. Most of the films selected in this program have premiered in top international festivals: 4 of them were selected at the 2022 Cannes Film Festival while others were presented at the Berlinale, in Venice, in Telluride, and more.

Young French Cinema mainly focuses on rising talents, from high-profile independent works to impactful dramas and powerful documentaries about the world around us, with two features selected in collaboration with Swiss Films. The 2023 selection demonstrates that this young generation—more than ever—shares a global vision and an amazing capacity to combine cultural influences and tackle an incredibly wide range of subject matters.


  • Atlantic Bar (Atlantic Bar) by Fanny Molins – At l’Atlantic Bar in Arles, Nathalie, the owner, is at the center of attention. Here, people sing, dance and hold each other close. After the announcement of the sale of the Atlantic Bar, Nathalie and the regulars are faced with the end of their world and the loss of a place, at times harmful, but desperately needed. Presented at Cannes FF – ACID.
  • Bigger Than Us (Bigger Than Us) by Flore Vasseur – For six years, Melati, 18, has been fighting the plastic pollution that is ravaging her country, Indonesia. Like her, a generation is rising up to fix the world. Everywhere, teenagers and young adults are fighting for human rights, the climate, freedom of expression, social justice, access to education or food. Dignity. Alone against all odds, sometimes risking their lives and safety, they protect, denounce and care for others. The earth. And they change everything. Melati goes to meet them across the globe. She wants to understand how to hold on and continue her action. From the favelas of Rio to the remote villages of Malawi, from makeshift boats off the island of Lesbos to Native American ceremonies in the mountains of Colorado, Rene, Mary, Xiu, Memory, Mohamad and Winnie reveal a magnificent world, one of courage and joy, of commitment to something bigger than oneself. At a time when everything seems to be or has been falling apart, these young people show us how to live. And what it means to be in the world today. Presented at Cannes FF & San Sebastian FF.
  • For My Country (Pour la France) by Rachid Hami – Aissa, a young officer of Algerian origin, tragically loses his life during a fresher initiation ritual at the prestigious French military academy of Saint-Cyr. As the death tears through his family, controversy arises over Aissa’s funeral plans when the Army refuses to take responsibility. Ismael, his older, rebellious brother, tries to keep the family united as they fight to win justice for Aissa. Presented at Venice FF.
  • Freestyle (En Roue libre) by Didier Barcelo – One morning, Louise, 45, is suddenly unable to step out of her car. Sweats, anxieties, palpitations… she is having an inexplicable panic attack. She is tetanized and simply cannot set foot outside. It will surely pass… except it doesn’t ! Freaked out, Louise starts hysterically driving around with no goal. For now, her only option is to keep driving until she runs out of gas… Once at the service station, she’ll eventually have to get out of her car… except she still can’t!That’s when Paul, 20, breaks into her car with one obsession : drive to the ocean. And if she doesn’t like it, she can just get the hell out… except she really can’t! And so Louise and Paul begin their Tour de France. He thinks she’s crazy, she thinks he’s a jerk. Stuck together, our exceptional duo embarks on a hilarious road trip… bursting with kinetic energy! Presented at Cinemania Montréal.
  • Love According to Dalva (Dalva) by Emmanuelle Nicot – Dalva, 12, lives alone with her father. One evening, the police storms into their home and takes her into foster care. As Dalva befriends her new roommate Samia and social worker Jayden, she gradually comes to understand the love she shared with her father was not what she thought. With their help, Dalva will learn to become a child again. Presented at Cannes FF, Critics Week & IFFR Rotterdam.
  • Mother and Son (Un Petit Frère) by Léonor Serraille – In the late 1980s, Rose moves to the Paris suburbs with her two young sons, Ernest and Jean. Spanning 20 years from their arrival in France to the present day, the film is the moving chronicle of the construction and deconstruction of a family. Presented at Cannes FF, Competition.
  • The Sixth Child (Le Sixième Enfant) by Léopold Legrand – Franck is a scrap dealer who lives with Meriem in the outskirts of Paris. They have five children, a sixth on the way, and serious money problems. Julien and Anna are lawyers and can’t have children. This is the story of an unthinkable arrangement. Presented at Namur FIF.
  • Three Nights a Week (Trois Nuits par semaine) by Florent Gouëlou – 29-years-old Baptiste is in a relationship with Samia when he first meets Cookie Kunty, a young drag queen from the Parisian scene who immediately mesmerises him. Initially motivated by the idea of a photography project revolving around Cookie, he immerses himself into this world, eventually embarking upon a relationship with Quentin, the young man behind the drag queen. Presented at Venice FF, Critics Week (Opening Film).
  • Until tomorrow (Juste une Nuit) by Ali Asgari – In Tehran, a single young mother’s courage is tested when she resorts to desperate measures to hide her illegitimate child from her parents. Presented at the Berlinale, Panorama 2022.

In collaboration with Swiss Films:  

  • See you Friday, Robinson (À Vendredi, Robinson) by Mitra Farahani – « We should start with a correspondence, maybe we will not correspond to one another. Ebrahim can send me a letter this Friday, and I’ll answer him next Friday. So, see you Friday, Robinson! » And so, Jean-Luc Godard stages himself in his daily thought, wisely desperate, and sends images and words from Switzerland to the other side of the Channel. In his mansion in Sussex, Ebrahim Golestan tries to decode these UFO-messages and skillfully seeks to bring them back to the appearance of reason. And so on, until the day a veil falls over the two Gods on the run. Does the existence of poets still have any meaning in these times of distress? ». Presented at Telluride & the Berlinale.
  • Stuntwomen (Cascadeuses) by Elena Avdija – Being thrown down a flight of stairs, hit by a car or beaten up is the everyday life for stuntwomen. We follow Virginie, Petra and Estelle during training sessions and on film sets in France and the US. What does all this pretend-violence do to their bodies and minds? There is always a trade-off between the desire to perform as realistically as possible and their own boundaries. Scenes with cars are spectacular, but the roles in which they are beaten up are much harder to watch. Few action movies have female heroes so they usually play the role of victims. Stuntwomen are hired to endure violence, while the task of their male colleagues is to inflict it. IDFA, Official Selection.

Guidelines will be posted soon!

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