Tatiana Vilela dos Santos

Game Designer, Digital Artist

Mid-February - Mid-April 2023

Tatiana Vilela dos Santos - Portrait
  • New Media
  • Cities
  • Roving Residency
“Gaming installations allow us to break free from the tenets of industry and dive into the digital space.”

On January 27, 2010, Steve Jobs announced the launch of the world’s first iPad at San Francisco’s Yerba Buena Center. This new technology marked the arrival of digital tablets as a household fixture. Shortly after this, I landed my first job in the gaming industry. Still a student in game design, I was on a mission to unlock the gaming potential of this terra incognita. Two years later, I began specializing in new technology, designing gaming experiments using mixed reality, motion capture interfaces, and robotics.  


In 2012, unbound by the rules of use for standard devices, I developed a taste for this freedom that I had been given to invent the interactions of the future. I broke away from the orders of industry and created a new artistic practice in game design, following the principle of art games. I developed video games that corrupted gaming conventions, forcing players to transgress the rules of the system while disorienting them using techniques inspired by op art. The following year, my work moved into interactive gaming installations that would later come to be called “alternative controller games”. More radical still, this practice involves gaming experiences that use no controller or keyboard (and sometimes not even a screen) but rely on special interfaces.  


In 2014, I was actively promoting this practice at talks and workshops, in addition to exhibiting my works. By misappropriating controllers and other electronic devices, this countercultural approach sought to restore space and body as the core of the game. It was embraced by a number of different communities, from digital art to maker culture.  


Since my first solo exhibition, in 2017, my work has involved transcending mere contestation to form a standalone artistic proposal, namely by exploring the experiential potential of conceptual gaming installations. I examine both their artistic heritage that spans everything from critical design to surrealism, and their formal specificities like the impact of the tangible on bodily engagement, physical-digital porosity, and the embodiment of a particularly sensory experience. Beyond the world of pixels, my goal is to conceive of the gaming experience at the level of atoms and flesh.  


Tatiana Vilela dos Santos is a Paris-based researcher at the Centre de recherche sur les médiations (CREM), a freelance game designer, and an award-winning digital artist (A MAZE., Maker Faire, EIGD). Since 2012, she has been creating gaming installations and art games in the context of her “MechBird” multimedia project. Most of her creations are alternative controller games: video game pieces controlled by tangible, handmade interfaces built specifically for these experiences. This work transcends the controller and screen to explore the unknown terrain of gaming art, and to re-enchant the real by digital means.  


In partnership with

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Château Éphémère

Château Éphémère is an artistic residency place dedicated to digital arts and sound creation, located in a converted heritage site - the Château Vanderbilt - in Carrières-sous-Poissy (78), owned by the Grand Paris Seine et Oise urban community. Château Éphémère is an artistic factory at the crossroads of research, experimentation, science and arts. It offers content and activities for everyone, notably through its workshops and public events.


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Centre de Recherche sur les Médiations (CREM)

CREM is a research unit of the University of Lorraine. It brings together 200 researchers from 11 disciplines, nearly 90% of whom are in information and communication sciences, language, literature and art. Faced with social, cultural, artistic and technological changes, CREM researchers question the processes and forms of mediation that interpret and give meaning to them. The research aims to model these dynamics, to identify the issues of relations to standards and deviations, to understand the phenomena of regulation.


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indiecade logo

IndieCade supports independent game development and organizes a series of international events showcasing the future of independent games. It encourages, publicizes, and cultivates innovation and artistry in all forms of interactive media, helping to create a public perception of games as rich, diverse, artistic, and culturally significant. IndieCade’s events and initiatives are designed to bring visibility to emerging work and inspire and connect this global community of innovators.IndieCade is organized by an expansive team of dedicated individuals who truly believe that we can make an impact on the industry and ultimately the way the world plays, understands and is impacted by games. To this end, IndieCade supports independent game development as the future of games.


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siana logo

Siana has been working for 17 years in the territory of Evry and Essonne for a better understanding of digital issues and those who demystify everyday uses and technologies: digital artists.


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Un Singe en Hiver

Un Singe en Hiver hosts a craftbrewery as well as a 150sqm set made available to an associative structure mandated to develop an eclectic and ambitious artistic program. The latter creates a dialogue between interactive and immersive digital installations, video projections (short films, heritage cinema and documentary creation) and concerts of amplified music.


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