Van Gogh and the Avant-Garde: The Modern Landscape

Émile Bernard - Iron Bridges at Asnières (1887) - Museum of Modern Art - Grace Rainey Rogers Fund
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Long a popular spot for leisure activities, the area along the Seine River underwent a period of rapid development toward the end of the 19th century, as coal, gas, and manufacturing facilities appeared along the skyline. The tensions between recreation and industry visible in the landscapes of Asnières and other nearby locales attracted Van Gogh and his contemporaries, igniting their creativity and prompting them to develop new ways of recording what they saw.
Each artist explored the use of discrete brushstrokes and strong colors in innovative ways, in turn developing novel styles of painting. As Jacquelyn N. Coutré, Eleanor Wood Prince Associate Curator, Painting and Sculpture of Europe, remarks, “The pioneering work by Seurat, Signac, Bernard, and Angrand in the northwestern suburbs of Paris prompted many artists, including Van Gogh, to rethink the possibilities of painting. It was here, in this location and in conjunction with these artists, that he learned to energize his brushstroke and to ‘see color’, both important contributions to his rapid development as an artist.”