July 1961\u00a0<\/em>by Fran\u00e7oise D\u00f4 with Roberto Negro (pianist) and Sylvain Darrifourcq (percussionist)<\/strong><\/li>\n<\/ul>\nBLEUS ET ARDOISE, Le Lamentin,\u00a0Martinique,\u00a0France\u00a0<\/p>\n
2021-2022<\/strong><\/p>\nResidency by author and director\u00a0Fran\u00e7oise\u00a0D\u00f4\u00a0<\/strong>– Compagnie Bleus et Ardoise,\u00a0Martinique,\u00a0in collaboration with\u00a0Chicago-based institutions\u00a0for the development of the two-woman play\u00a0July 1961. Based on social and ethnic tensions and inspired by the 1960s civil rights movement in U.S.\u00a0cities. Fran\u00e7oise\u00a0D\u00f4, accompanied by two musicians,\u00a0Roberto Negro\u00a0and\u00a0Sylvain\u00a0Darrifourcq\u00a0will explore and create the musical environment of the play during 2021-2022.\u00a0<\/p>\n\n- PAPERS<\/em>\u00a0by Violaine Schwartz (author) and Marion\u00a0Schoevaert\u00a0(director)\u00a0<\/strong><\/li>\n<\/ul>\n
In Parentheses, Inc., New York, NY<\/p>\n
Spring-Summer 2022<\/strong><\/p>\nResidency by author\u00a0Violaine Schwartz<\/strong>\u00a0to develop and present a theatrical adaptation of her work,\u00a0PAPERS<\/em>,\u00a0with director Marion\u00a0Schoevaert\u00a0and local artists. A production of\u00a0In Parentheses, Inc.,\u00a0New York, NY,\u00a0PAPERS<\/em>\u00a0will be the debut U.S. presentation for Schwartz, whose book\u00a0PAPERS<\/em>\u00a0will soon be published by Fern Publication in English. Workshops with New York-based artists from Africa and the Middle East such as\u00a0dancer Hussein\u00a0Smko\u00a0(Iraq), actress Okwi\u00a0Okpokwasili\u00a0(U.S.-Nigeria) and musician Layale Chaker (French Lebanese)\u00a0will take place during spring 2022 with a fully live performance in fall 2022.\u00a0\u00a0<\/p>\n\n- FA\u00a0<\/em>by\u00a0Amoukanama\u00a0Circus\u00a0<\/strong><\/li>\n<\/ul>\n
Performance Spaces for the 21st Century (PS21), Chatham, NY\u00a0<\/strong><\/p>\nSummer 2022<\/strong><\/p>\nResidency of\u00a0Circus\u00a0Amoukanama<\/strong>\u00a0from Guinea,\u00a0during summer 2022 at\u00a0PS21,\u00a0Chatham,\u00a0in New York.\u00a0\u00a0Amoukanama\u00a0(in the Susu language, \u201cWhat does not break always persists\u201d) is a young and dynamic circus founded by Nathalie Vandenabeele<\/strong> (equestrian) and Alseny Sacko<\/strong> (acrobat), whose members originally chose circus as a means of survival. Free workshops and performances by the circus will be organized for Chatham\/Hudson public schools and young audiences during this residency. The artists from Circus\u00a0Amoukanama\u00a0collaborated with the multidisciplinary artist Anthony Weiss\u00a0for the production of\u00a0FA\u00a0that will be presented during the residency, and then tours the United States.\u00a0\u00a0<\/p>\n\n- Performances by Daniely Francisque\/Guy Regis Junior\u00a0and\u00a0Felwine\u00a0Sarr\/\u00c9tienne\u00a0Minoungou<\/strong>\u00a0<\/li>\n<\/ul>\n
Princeton\u00a0University\u00a0\u2013 Seuls en sc\u00e8ne Festival, Princeton, NJ\u00a0<\/p>\n
September 2021 (postponed to September 2022)<\/strong><\/p>\n<\/p>\nEtienne Minoungou in Traces<\/em>, by Felwine Sarr<\/p>\nPrinceton University, NJ,\u00a0will\u00a0present\u00a0Daniely\u00a0Francisque<\/strong>\u00a0in\u00a0Moi,\u00a0Fardeau\u00a0Inh\u00e9rent<\/em>\u00a0by\u00a0Guy\u00a0Regis Jr<\/strong>.,\u00a0and\u00a0Etienne\u00a0Minoungou<\/strong>\u00a0in\u00a0Traces<\/em>\u00a0by\u00a0Felwine\u00a0Sarr<\/strong>\u00a0at Princeton French festival\u00a0Seuls\u00a0en\u00a0sc\u00e8ne\u00a0in September of 2021\u00a0(now moved to September 2022).\u00a0Moi,\u00a0Fardeau\u00a0Inh\u00e9rent<\/em>\u00a0denounces sexual violence and harassment toward women.\u00a0Traces, speech to African Nations,\u00a0written by author-scholar\u00a0Felwine\u00a0Sarr\u00a0and performed solo by Etienne\u00a0Minoungou\u00a0(Burkina Faso)\u00a0is\u00a0a lyrical text that looks at the history of the African continent and points purposefully toward its future.\u00a0Sarr, renowned for his research on repatriating objects of African cultural heritage from collections\u00a0in France, wrote this text as a vast odyssey, a journey toward a bold engagement: his continent looking at itself and at the world, in service of the future of its youth.\u00a0\u00a0<\/p>\n\n- It\u2019s not\u00a0here,\u00a0it\u2019s over here<\/em>\u00a0by Compagnie\u00a0Galmae<\/strong>\u00a0<\/li>\n<\/ul>\n
Rochester Fringe Festival, Inc., Rochester, NY\u00a0<\/p>\n
Summer 2021<\/strong><\/p>\n<\/p>\nIt’s not here, It’s over there<\/em> by Juhyung Lee-Compagnie Galmae<\/p>\nRochester Fringe Festival, Inc., NY,\u00a0will\u00a0present an interactive\u00a0performance\u00a0by\u00a0Compagnie\u00a0Galmae<\/strong>,\u00a0It\u2019s not here, it\u2019s over here\u00a0(C\u2019est\u00a0pas\u00a0l\u00e0,\u00a0c\u2019est\u00a0par\u00a0l\u00e0)<\/em>\u00a0as part of a large\u00a0U.S.\u00a0tour by the company.\u00a0The work will\u00a0be\u00a0part of a\u00a0free outdoor show in\u00a0public space\u00a0at\u00a0the heart of downtown Rochester, taking place in summer 2022.\u00a0It\u2019s not\u00a0here,\u00a0it\u2019s over here\u00a0was created under the artistic direction of\u00a0Juhyung\u00a0Lee\u00a0<\/strong>and\u00a0inspired by his own feelings during a rally in Seoul.<\/p>\n\n- The HOME Experiment<\/em>\u00a0by\u00a0Hand2Mouth, Portland, OR, and Begat Theater, France<\/strong>\u00a0<\/li>\n<\/ul>\n
Summer 2022<\/strong><\/p>\nHand2Mouth,\u00a0Portland,\u00a0OR,\u00a0will\u00a0present\u00a0the final part of a\u00a0collaborative project with\u00a0Begat\u00a0Theatre<\/strong>,\u00a0from France,\u00a0titled\u00a0The HOME Experiment<\/em>\u00a0(Phase 2).\u00a0Following the writing development in 2020-2021,\u00a0this site-specific performance will take place in Portland\u00a0during the\u00a0summer\u00a0of 2022.\u00a0The HOME Experiment<\/em>\u00a0crafts a fictional dystopia out of an urban lived-in landscape following a catastrophe. It explores new ways of survival and resilience that performers lead the audience to discover. The production involves groups of young adults hired in collaboration with the homeless service\u00a0provider,\u00a0Outside In, as well as public advocates and service workers.\u00a0\u00a0<\/p>\n\n- Quake<\/em>\u00a0by\u00a0Kaneza\u00a0Schaal (director), Guy Regis Jr.\u00a0(author)<\/strong>\u00a0<\/li>\n<\/ul>\n
c\/o\u00a0The Field, Brooklyn, NY\u00a0<\/p>\n
2021-2022<\/strong><\/p>\nKaneza\u00a0Schaal<\/strong>\u00a0c\/o The Field\u00a0will\u00a0direct\u00a0Quake<\/em>, written\u00a0by\u00a0Guy\u00a0R\u00e9gis\u00a0Jr.<\/strong>\u00a0(author),\u00a0a procession performance based on\u00a0When the Whole World Quakes<\/em>\u00a0by\u00a0R\u00e9gis\u00a0Jr, planned for fall 2021. The play\u00a0is\u00a0a liturgy for loss and the failings of the state to function in times of crisis. In the aftermath of the devastating 2010 earthquake in Haiti, this work uses a poetic and allegorical script\u00a0to offer a lens through which to consider our current global crisis and its ongoing death toll.\u00a0Quake<\/em>\u00a0will be performed in four contexts: the\u00a0Quatre\u00a0Chemin\u00a0Festival in Port-au-Prince, Haiti; the\u00a0Abrons\u00a0Arts Center in New York City; The Genocide Memorial Amphitheater in Kigali, Rwanda.\u00a0In Haiti, the artists will work with\u202fa collective of musicians in\u00a0Jacmel, and\u202fa group of\u202fformerly incarcerated women performers in Port-au-Prince, thus\u00a0premiering\u00a0a project anchored\u00a0in\u00a0the culture, questions, needs and technology of its local context.\u00a0<\/p>\n\n- Who Killed My Father<\/em>\u00a0by Edouard Louis and Thomas Ostermeier<\/strong><\/li>\n<\/ul>\n
St. Ann\u2019s Warehouse, Inc., Brooklyn, NY\u00a0<\/p>\n
February 2022<\/strong><\/p>\n\u00a0<\/p>\n
St. Ann\u2019s Warehouse,\u00a0Brooklyn, NY\u00a0will\u00a0present the U.S. premiere of\u00a0Edouard\u00a0Louis<\/strong>\u2019s personal memoire\u00a0Who Killed My Father<\/em>\u00a0in 2022.\u00a0This solo performance, directed by\u00a0Schaubu\u0308hne\u00a0Berlin\u2019s Thomas\u00a0Ostermeier<\/strong>,\u00a0will be presented in French with English subtitles.\u00a0The work confronts the poverty and classism that\u00a0contributed\u00a0to Louis\u2019s father\u2019s premature death. Juxtaposing his working-class upbringing with his now privileged life, Louis presents a searing social critique about the\u00a0brutality\u00a0waged against workers as well as\u00a0a declaration of love to a person who won\u2019t accept it.\u00a0\u00a0<\/p>\n\n- BOUCAN<\/em>\u00a0by\u00a0Cirk\u00a0biZ\u2019arT<\/strong>\u00a0<\/li>\n<\/ul>\n
Presidio Theatre, San Francisco, CA\u00a0<\/p>\n
Fall 2022\u00a0<\/strong><\/p>\n<\/p>\nBOUCAN<\/em>\u00a0by Cirk BizArt<\/p>\nPresidio Theatre,\u00a0San Francisco, CA,\u00a0will\u00a0present\u00a0BOUCAN<\/em>\u00a0by\u00a0the contemporary circus company\u00a0Cirk\u00a0biZ’arT<\/strong>\u00a0in Spring\u00a02022.\u00a0BOUCAN<\/em>\u00a0is a comedic re-imagining of Samuel Becket\u2019s\u00a0Waiting for\u00a0Godot<\/em>\u00a0in\u00a0Cirk\u00a0biZ’arT<\/strong>\u2019s\u00a0signature, highly physical, contemporary circus style. Without any dialogue,\u00a0BOUCAN<\/em>\u00a0features four circus artists who attempt to reconstruct the series of events that unfolded the night prior while they clean up after a wild party. Live musical accompaniment is provided by a\u00a0beat-boxer.\u00a0\u00a0\u00a0\u00a0<\/p>\n\n- Anywhere<\/em>\u00a0by Th\u00e9\u00e2tre de\u00a0l\u2019Entrouvert\u00a0\u2013 Elise Vigneron and Helene Barreau<\/strong>\u00a0<\/li>\n<\/ul>\n
HERE Art Center, New York, NY\u00a0<\/p>\n
Spring 2022\u00a0<\/strong><\/p>\n<\/p>\nAnywhere<\/em> by Elise Vigneron, Th\u00e9\u00e2tre de l\u2019Entrouvert, with Elise Vigneron and H\u00e9l\u00e8ne Barreau. Th\u00e9\u00e2tre des Bernardines, Marseille, 2016. Photo by Vincent Beaume<\/p>\nHERE Art Center,\u00a0New York, NY,\u00a0will\u00a0present\u00a0Anywhere<\/em>\u00a0by\u00a0Th\u00e9\u00e2tre\u00a0de\u00a0l’Entrouvert,\u00a0\u00a0as\u00a0part of its Dream Music Puppetry Program\u00a0in\u00a0May\u00a02022.\u00a0Written and directed by Elise\u00a0Vigneron<\/strong>\u00a0and\u00a0Helene\u00a0Barreau<\/strong>, and\u00a0inspired by the novel\u00a0Oedipus on the Road<\/em>\u00a0by Henry Bauchau,\u00a0this piece\u00a0evokes the long wandering of Oedipus accompanied by his\u00a0daughter\u00a0Antigone. The fallen Oedipus appears in the form of an ice puppet that gradually turns into water,\u00a0then into mist,\u00a0and disappears into the\u00a0Erynian\u00a0Forest, the place of clairvoyance.\u00a0\u00a0<\/p>\n\n- Moby Dick<\/em>\u00a0by\u00a0Yngvild\u00a0Aspeli\u00a0\u2013 Compagnie Plexus\u00a0Polaire<\/strong>\u00a0<\/li>\n<\/ul>\n
Spoleto Festival USA, Charleston, SC\u00a0<\/p>\n
May-June 2022\u00a0<\/strong><\/p>\n<\/p>\nMoby Dick<\/em>, by Yngvild Aspeli<\/p>\nSpoleto Festival USA,\u00a0Charleston, SC,\u00a0will\u00a0present six performances of the work\u00a0Moby Dick<\/em>\u00a0by\u00a0Yngvild\u00a0Aspeli<\/strong>,\u00a0Compagnie\u00a0Plexus\u00a0Polaire\u00a0from May through June of 2022.\u00a0The new work by the French-Norwegian puppeteer\u00a0is based on the Herman Melville\u00a0novel and uses live actors, lighting and music to create a world of beauty that is as haunting as the novel itself.\u00a0\u00a0<\/p>\n\n- Farm Fatale<\/em>\u00a0by Philippe\u00a0Quesne\u00a0\u2013 Vivarium Studio<\/strong>\u00a0<\/li>\n<\/ul>\n
PS21, New York, NY\u00a0<\/p>\n
May 2022\u00a0<\/strong><\/p>\nPS21,\u00a0Chatham, NY,\u00a0will present\u00a0Farm Fatale<\/em>\u00a0by\u00a0Philippe\u00a0Quesne<\/strong>\u00a0for the\u00a0PS21\/Chatham Pathways: Blazing a Trail for a Sustainable Future\u00a0initiative.\u00a0The work will be staged in May 2022 as the centerpiece for this multi-disciplinary public\u00a0performance\u00a0initiative. Farm Fatale<\/em>\u00a0will introduce audiences and participants to new European theatre in a rural, pristine environment.\u00a0\u00a0<\/p>\nProjects in France<\/u><\/p>\n\n- A Hunger Artist\u00a0<\/em>by Sinking Ship Productions<\/strong><\/li>\n<\/ul>\n
c\/o The Tank, New York, NY<\/p>\n
September 2021\u00a0<\/strong><\/p>\n<\/p>\nAdam Kissick\/APAP<\/p>\n
Sinking Ship\u00a0Productions<\/strong>, New York, NY,\u00a0is invited by the\u00a0Festival Mondial des\u00a0Th\u00e9\u00e2tres\u00a0de Marionettes\u00a0in Charleville Mezieres, France, to show its award-winning solo performance\u00a0A Hunger Artist\u00a0in September 2021.\u00a0A Hunger Artist<\/em>,\u00a0a theater collaboration between performer Jonathan Levin, playwright Josh\u00a0Luxenberg, and director Joshua William Gelb, is a darkly comedic, visually striking adaptation of the Franz Kafka short story. It uses psychical theater, Victorian miniatures, puppetry and a set of simple props to support a powerhouse solo performance in which a man sits alone in a cage, starving himself for the audience\u2019s entertainment.\u00a0<\/p>\nContact<\/u><\/h2>\n
Nicole Birmann Bloom<\/strong>
\nProgram Officer, Performing Arts<\/p>\nnicole.birmann-bloom@villa-albertine.org<\/a>\u00a0<\/p>\n","protected":false},"featured_media":61586,"menu_order":0,"template":"","app_discipline":[227],"app_city_tax":[221,214,223,222,220,216,224,217,225,226],"app_professional_category":[255],"app_professional_content_type":[257],"class_list":["post-61588","app_professional","type-app_professional","status-publish","has-post-thumbnail","hentry","app_discipline-performing-arts","app_city_tax-atl","app_city_tax-bos","app_city_tax-chi","app_city_tax-hou","app_city_tax-la","app_city_tax-mia","app_city_tax-nola","app_city_tax-nyc","app_city_tax-sf","app_city_tax-dc","app_professional_category-performing-arts","app_professional_content_type-grants_programs"],"acf":[],"yoast_head":"\nGrantees 2021: FACE Contemporary Theater - Villa Albertine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/villa-albertine.org\/va\/professionals\/grantees-2021-face-contemporary-theater\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Grantees 2021: FACE Contemporary Theater - Villa Albertine\" \/>\n<meta property=\"og:description\" content=\"\u00a0Each year, a number of artists representing the highest caliber of theatre, circus, and puppetry from their respective countries are selected to receive grants for projects undertaken in the partner country. \u00a0 Meet the 2021 grantees:\u00a0 \u00a0 July 1961\u00a0by Fran\u00e7oise D\u00f4 with Roberto Negro (pianist) and Sylvain Darrifourcq (percussionist) BLEUS ET ARDOISE, Le Lamentin,\u00a0Martinique,\u00a0France\u00a0 2021-2022...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/villa-albertine.org\/va\/professionals\/grantees-2021-face-contemporary-theater\/\" \/>\n<meta property=\"og:site_name\" content=\"Villa Albertine\" \/>\n<meta property=\"article:modified_time\" content=\"2023-08-23T07:54:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/villa-albertine.org\/wp-content\/uploads\/2023\/08\/thumbnail_23_ARM9749.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"853\" \/>\n\t<meta property=\"og:image:height\" content=\"1280\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/villa-albertine.org\\\/va\\\/professionals\\\/grantees-2021-face-contemporary-theater\\\/\",\"url\":\"https:\\\/\\\/villa-albertine.org\\\/va\\\/professionals\\\/grantees-2021-face-contemporary-theater\\\/\",\"name\":\"Grantees 2021: FACE Contemporary Theater - 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