{"id":4757735,"date":"2025-07-10T14:36:07","date_gmt":"2025-07-10T14:36:07","guid":{"rendered":"https:\/\/villa-albertine.org\/va\/?post_type=app_professional&#038;p=4757735"},"modified":"2025-07-10T14:36:08","modified_gmt":"2025-07-10T14:36:08","slug":"unforeseen-spaces","status":"publish","type":"app_professional","link":"https:\/\/villa-albertine.org\/va\/professionals\/unforeseen-spaces\/","title":{"rendered":"Unforeseen Spaces"},"content":{"rendered":"\n<p>In Unforeseen Spaces, the territory refuses to stay still: it constantly reshapes itself, vibrating to the rhythm of presences that are not always seen, but often heard. Permanently connected to the surrounding park, the experience captures birdsong \u2014 brief calls, insistent trills, suspended silences \u2014 that, like a breath, activate the floating images of a world still in the making. These are immense, diaphanous veils, like living membranes, where feathers merge with skin, and human and animal pulses intertwine. Marie Lelouche doesn\u2019t offer a space to be inhabited, but rather a sensory ecology \u2014 unstable, porous, and open \u2014 where the rules of interaction remain to be uncovered. Drawing from recent research in interspecies ethology, she crafts a language of whispers and gestures, of tentative approaches and fleeting contacts. Here, everything seems to hinge on a deep attentiveness to the other \u2014 whether bird, human, or image. Immersed in this shifting cartography, the viewer gradually uncovers a fragmented narrative, where the imagination takes root through listening. A world that exists only insofar as it is sung, crossed, and felt. And in this world where nothing is fixed, it is the very relation to the other that seems to define new possibilities \u2014 new ways of being, sensing, and belonging. _<\/p>\n\n\n\n<p>A production of the Les Tanneries Contemporary Art Center of National Interest <br>Supported by DICR\u00e9AM, a funding program for multimedia and digital artistic creation, managed by the CNC \u2013 French National Center for Cinema and the Moving Image. <br>This virtual reality installation incorporates BirdNET and BirdNET-Pi technologies and is based on recordings from Xeno-Canto, all shared under Creative Commons licenses.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The Director<\/h3>\n\n\n\n<p>Marie Lelouche is a French artist whose work explores the intersections of space through counter-intuitive experiences. Born in 1984 in Saint-Junien, France, she holds a degree from Ensba Paris, a Master\u2019s in Visual Arts Research from the Sorbonne, and completed advanced studies at Le Fresnoy with highest honors. In 2025, she earned a PhD in research\/creation jointly from UQAM (Montreal) and Le Fresnoy. Her vibrant and multidisciplinary practice has been featured in solo exhibitions at Galerie Mazzoli (Berlin), Spazio Insitu (Rome), Galerie Alberta Pane (Venice), Les Tanneries Contemporary Art Center (France), and Jeu de Paume (Paris). Her work has also been shown at international fairs including Drawing Now (Paris), ArtBrussels, and Artissima (Turin), as well as in group exhibitions at institutions such as the Studio National of Contemporary Art (Seoul), Cyan Museum of Art (South Korea), A.dition Gallery (Seoul), Mirage Festival (Lyon), Cit\u00e9 du Design (Saint-\u00c9tienne, France), Mus\u00e9e Lam (Lille, France), and the Francesco Fabbri Foundation (Treviso, Italy). Focusing on the evolution of forms in their techno-cultural contexts, with an emphasis on remix culture and extended reality (XR), she is a recipient of the DICR\u00e9AM grant, the Pictanovo Interactive Experience Fund, ISEA2023, and received a special mention for the Adagp Digital Art Revelation Award. She is also a finalist for the Opline and Siemens Ingenious prizes. Marie Lelouche is represented by Galerie Alberta Pane (Paris\/Venice).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-left\">General Information<\/h3>\n\n\n\n<p class=\"has-text-align-left\"><strong>Director:<\/strong> Marie Lelouche<br><strong>Production Company<\/strong> :  Les Tanneries Contemporary Art Center of National Interest <br><strong>Year of Creation<\/strong>: 2021<br><strong>Awards<\/strong>: ISEA 2023<br><strong>Minimum Age<\/strong>: no minimum age<br><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Technical Information<\/h3>\n\n\n\n<p><strong>Format<\/strong>: Apk.<br><strong>Number of participants per session<\/strong>: 1 per VR headset<br><strong>Device<\/strong>: Meta Quest 2 or 3.<br><strong>Set-up Time<\/strong>: Endless. 10 minutes recommanded.<br><strong>Surface area<\/strong>: minimum space : 200 m2 \/ min height : 280 cm \/ (The installation can be scaled down to a smaller size, to be discussed with the artist).<br><strong>Internet Connection:<\/strong> yes<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Contact<\/h3>\n\n\n\n<p>mariehcuolel@gmail.com<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Trailer<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"MarieLelouche_UnforeseenSpaces_teaser_EnglishVersion\" src=\"https:\/\/player.vimeo.com\/video\/826798379?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"574\" data-id=\"4758220\" src=\"https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/14_MarieLelouche_US_366-Marie-Lelouche-1024x574.jpg\" alt=\"\" class=\"wp-image-4758220\" srcset=\"https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/14_MarieLelouche_US_366-Marie-Lelouche-1024x574.jpg 1024w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/14_MarieLelouche_US_366-Marie-Lelouche-300x168.jpg 300w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/14_MarieLelouche_US_366-Marie-Lelouche-768x431.jpg 768w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/14_MarieLelouche_US_366-Marie-Lelouche-1536x862.jpg 1536w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/14_MarieLelouche_US_366-Marie-Lelouche.jpg 1688w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><p>(c) Marie Lelouche<\/p><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"4758231\" src=\"https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/marie-lelouche_an-unforeseen-space2-Marie-Lelouche-1024x576.jpg\" alt=\"\" class=\"wp-image-4758231\" srcset=\"https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/marie-lelouche_an-unforeseen-space2-Marie-Lelouche-1024x576.jpg 1024w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/marie-lelouche_an-unforeseen-space2-Marie-Lelouche-300x169.jpg 300w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/marie-lelouche_an-unforeseen-space2-Marie-Lelouche-768x432.jpg 768w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/marie-lelouche_an-unforeseen-space2-Marie-Lelouche-1536x864.jpg 1536w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/marie-lelouche_an-unforeseen-space2-Marie-Lelouche-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><p>(c) Marie Lelouche<\/p><\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\">\n\t<img loading=\"lazy\" decoding=\"async\" width=\"1684\" height=\"949\" src=\"https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/16_MarieLelouche_US_992-Marie-Lelouche.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/16_MarieLelouche_US_992-Marie-Lelouche.jpg 1684w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/16_MarieLelouche_US_992-Marie-Lelouche-300x169.jpg 300w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/16_MarieLelouche_US_992-Marie-Lelouche-1024x577.jpg 1024w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/16_MarieLelouche_US_992-Marie-Lelouche-768x433.jpg 768w, https:\/\/villa-albertine.org\/wp-content\/uploads\/2025\/07\/16_MarieLelouche_US_992-Marie-Lelouche-1536x866.jpg 1536w\" sizes=\"auto, (max-width: 1684px) 100vw, 1684px\" \/>\n\t\t\t<figcaption>\n\t\t\t<p>(c) Marie Lelouche<\/p>\n\t\t<\/figcaption>\n\t<\/figure>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":4758276,"menu_order":0,"template":"","app_discipline":[215],"app_city_tax":[217],"app_professional_category":[251],"app_professional_content_type":[],"class_list":["post-4757735","app_professional","type-app_professional","status-publish","has-post-thumbnail","hentry","app_discipline-new-media","app_city_tax-nyc","app_professional_category-new-media"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Unforeseen Spaces - Villa Albertine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/villa-albertine.org\/va\/professionals\/unforeseen-spaces\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Unforeseen Spaces - Villa Albertine\" \/>\n<meta property=\"og:description\" content=\"In Unforeseen Spaces, the territory refuses to stay still: it constantly reshapes itself, vibrating to the rhythm of presences that are not always seen, but often heard. 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