{"id":8998232,"date":"2026-06-30T15:32:13","date_gmt":"2026-06-30T15:32:13","guid":{"rendered":"https:\/\/villa-albertine.org\/va\/?post_type=app_event&p=8998232"},"modified":"2026-07-01T15:45:06","modified_gmt":"2026-07-01T15:45:06","slug":"from-marseille-to-atlanta-en-route-opens-at-emory-university","status":"publish","type":"app_event","link":"https:\/\/villa-albertine.org\/va\/events\/from-marseille-to-atlanta-en-route-opens-at-emory-university\/","title":{"rendered":"From Marseille to Atlanta: En Route Opens at Emory University"},"content":{"rendered":"\n

Launched in 2022 as part of the City\/Cit\u00e9 Atlanta x Marseille<\/strong> project, the initiative invited two photographers from each city to cross the Atlantic and immerse themselves in an unfamiliar urban environment. Marseille-based artists Yohanne Lamoul\u00e8re and Geoffroy Mathieu worked in Atlanta, while Atlanta photographers Nydia Blas and Joshua Dudley Greer completed residencies in Marseille. <\/p>\n\n\n\n

Although Marseille and Atlanta have very different histories and geographies – Marseille is a Mediterranean port city whose origins date back to ancient Greece, whereas Atlanta is a landlocked city founded in 1837 as a railroad terminus – both cities have been shaped by migration, cultural diversity, and strong local identities. Through photography, each artist explored these connections from a personal perspective, engaging directly with residents, neighborhoods, and everyday life. <\/p>\n\n\n\n

In Atlanta, Yohanne Lamoul\u00e8re focused on high school marching bands, capturing their discipline, pride, and collective energy, while Geoffroy Mathieu explored the city on foot, documenting the human stories that emerge within a landscape largely designed for cars. <\/p>\n\n\n\n

In Marseille, Nydia Blas collaborated with teenagers working at La Friche la Belle de Mai to create intimate portraits reflecting the city’s multicultural character. Joshua Dudley Greer photographed Marseille\u2019s neighborhoods and rocky terrain, tracing subtle links between memory, place, and time. <\/p>\n\n\n\n

The exhibition offers a dialogue between two cities that, despite their differences, share common questions about identity, community, and urban life. The opening at Emory University also marks a return for Yohanne Lamoul\u00e8re and Geoffroy Mathieu, who will reconnect with the communities and landscapes that inspired their work and present the results of this transatlantic artistic exchange to Atlanta audiences. <\/p>\n\n\n\n

<\/p>\n\n\n\n

About the Artists<\/strong><\/p>\n\n\n

\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\tMaria L. Kelly<\/span>\n\n\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t
\n\t\t\t\t\t

\"\"<\/span><\/span><\/p>\n

Maria L. Kelly<\/span>\u00a0<\/span>is<\/span>\u00a0the Assistant\u00a0<\/span>Curator<\/span>\u00a0of\u00a0<\/span>Photography<\/span>\u00a0at the High Museum of Art. Maria\u00a0<\/span>was<\/span>\u00a0the\u00a0<\/span>curatorial<\/span>\u00a0assistant in the\u00a0<\/span>High\u2019s<\/span>\u00a0<\/span>photography<\/span>\u00a0<\/span>department<\/span>\u00a0<\/span>from<\/span>\u00a02011 to 2016 and\u00a0<\/span>returned<\/span>\u00a0to the\u00a0<\/span>museum<\/span>\u00a0in 2019. During\u00a0<\/span>her<\/span>\u00a0time at the High, Maria has\u00a0<\/span>helped<\/span>\u00a0<\/span>organize<\/span>\u00a0more\u00a0<\/span>than<\/span>\u00a0<\/span>twenty<\/span>-five\u00a0<\/span>photography<\/span>\u00a0installations. Her exhibitions at the High\u00a0<\/span>include<\/span>\u00a0<\/span>Photography\u2019s<\/span>\u00a0New\u00a0<\/span>Vision:<\/span>\u00a0<\/span>Experiments<\/span>\u00a0in Seeing<\/span>\u00a0(2025),\u00a0<\/span>Tyler\u00a0<\/span>Mitchell:<\/span>\u00a0<\/span>Idyllic<\/span>\u00a0Space\u00a0<\/span>(2024),\u00a0<\/span>Underexposed<\/span>: Women Photographers\u00a0<\/span>from<\/span>\u00a0the Collection<\/span>\u00a0(2021),\u00a0<\/span>What<\/span>\u00a0Is\u00a0<\/span>Near:<\/span>\u00a0<\/span>Reflections<\/span>\u00a0on Home<\/span>\u00a0(2016),\u00a0<\/span>Helen\u00a0<\/span>Levitt:<\/span>\u00a0In the Street (2015)<\/span>, and\u00a0<\/span>Leonard\u00a0<\/span>Freed:<\/span>\u00a0Black in White America<\/span>\u00a0(2014). She\u00a0<\/span>was<\/span>\u00a0the venue\u00a0<\/span>curator<\/span>\u00a0for\u00a0<\/span>Deana Lawson<\/span>\u00a0(2022),\u00a0<\/span>co-organized<\/span>\u00a0by the ICA Boston and\u00a0<\/span>MoMA<\/span>\u00a0PS1, and\u00a0<\/span>Andr\u00e9\u00a0<\/span>Kert\u00e9sz:<\/span>\u00a0<\/span>Postcards<\/span>\u00a0<\/span>from<\/span>\u00a0Paris<\/span>\u00a0(2022),\u00a0<\/span>organized<\/span>\u00a0by the Art Institute of Chicago.<\/span><\/span>\u00a0<\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\n

\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\tYohanne Lamoul\u00e8re <\/span>\n\n\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t
\n\t\t\t\t\t

\"\"<\/span><\/span><\/a><\/p>\n

Yohanne Lamoul\u00e8re<\/span><\/span><\/a>, a photographer based in Marseille, France, graduated from the \u00c9cole\u00a0<\/span>nationale<\/span>\u00a0sup\u00e9rieure de\u00a0<\/span>photographie<\/span>\u00a0in Arles in 2004. Her preferred themes are urban peripheries and insularity in its multifaceted forms. She published\u00a0<\/span>Faux Bourgs<\/span>\u00a0(Le Bec\u00a0<\/span>en<\/span>\u00a0l\u2019air) in 2018, a compilation of her series\u00a0<\/span>on<\/span>\u00a0Marseille. Her work has been featured in\u00a0<\/span>numerous<\/span>\u00a0exhibitions: MUCEM (Marseille), Portrait(s) festival (Vichy), Fondation Schneider (<\/span>Wattwiller<\/span>),\u00a0<\/span>ImageSinguli\u00e8res<\/span>\u00a0festival (<\/span>S\u00e8te<\/span>),\u00a0<\/span>Clervaux<\/span>-Cit\u00e9 de\u00a0<\/span>l\u2019image<\/span>\u00a0(Luxembourg), and is included in public and private collections (CNAP, BnF,\u00a0<\/span>Neuflize<\/span>-OBC). A member of the collectives Tendance\u00a0<\/span>Floue<\/span>\u00a0and\u00a0<\/span>Zirlib<\/span>, she<\/span>\u00a0released her first film,\u00a0<\/span>L\u2019\u0153il<\/span>\u00a0Noir,<\/span>\u00a0in 2025.<\/span><\/span>\u00a0<\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\n

\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\tNydia Blas <\/span>\n\n\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t
\n\t\t\t\t\t

\"\"<\/span><\/p>\n

Nydia Blas\u00a0is\u00a0a\u00a0visual\u00a0artist\u00a0who\u00a0grew\u00a0up in Ithaca, New York, and\u00a0resides\u00a0in Atlanta, Georgia. She\u00a0is\u00a0an Assistant Professor in the\u00a0Department\u00a0of Art and Visual Culture at Spelman College in Atlanta, Georgia. She has\u00a0completed\u00a0artist\u00a0residencies\u00a0at Constance Saltonstall\u00a0Foundation\u00a0for the Arts and The Center for\u00a0Photography\u00a0at Woodstock.\u00a0<\/span>\u00a0<\/span><\/p>\n

Her\u00a0work\u00a0has been\u00a0commissioned\u00a0by\u00a0The New York Times,\u00a0New York Magazine,\u00a0The New Yorker,\u00a0Time Magazine,\u00a0Harper\u2019s\u00a0Bazaar,\u00a0and more. Blas\u00a0uses\u00a0photography, collage,\u00a0video, and books to explore\u00a0themes\u00a0of\u00a0sexuality,\u00a0intimacy, and\u00a0her\u00a0lived\u00a0experience\u00a0as\u00a0a\u00a0girl,\u00a0woman, and\u00a0mother. Blas\u00a0is\u00a0widely\u00a0recognized\u00a0for\u00a0The Girls\u00a0Who\u00a0Spun Gold, a collection of images\u00a0that\u00a0resulted\u00a0from\u00a0a Girl\u00a0Empowerment\u00a0Group\u00a0she\u00a0founded\u00a0after\u00a0observing\u00a0a\u00a0lack\u00a0of\u00a0space\u00a0and\u00a0community\u00a0for\u00a0teen\u00a0girls of\u00a0African\u00a0descent\u00a0in Ithaca, N.Y. Her first major\u00a0monograph\u00a0Love You Came\u00a0from\u00a0Greatness\u00a0(2025),\u00a0is\u00a0an exploration of one Ithaca-based\u00a0Black\u00a0family\u00a0and\u00a0its\u00a0community\u00a0across\u00a0many\u00a0generations. The book\u00a0is\u00a0also\u00a0a\u00a0formally\u00a0rigorous\u00a0examination\u00a0of the\u00a0taxonomy\u00a0and\u00a0syntax\u00a0of\u00a0family\u00a0portraiture.\u00a0<\/span>\u00a0<\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\n

\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\tGeoffroy Mathieu <\/span>\n\n\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t
\n\t\t\t\t\t

\"\"<\/span><\/a><\/p>\n

Geoffroy Mathieu<\/span><\/a>\u2019s photography explores how environmental and political issues are made tangible in the landscapes. Through travel and\u00a0immersion based\u00a0projects, he documents shifting territories, in-between spaces, and objects and actions that reveal resistances in the way in which places are used. His photography series are all pursued as poetic investigations, combining rigorous documentary research with a poetic approach to build situated narratives. He collaborates with associations, collectives, and researchers to circulate his images beyond the art world, support causes, and contribute to public debate on ecological care.<\/span>\u00a0<\/span><\/p>\n

A\u00a0graduate\u00a0of the French\u00a0Higher\u00a0School of\u00a0Photography\u00a0(ENSP) in Arles,\u00a0he\u00a0lives\u00a0and\u00a0works\u00a0in Marseille. He\u00a0presents\u00a0his\u00a0works\u00a0as publications (Actes Sud, Poursuite, Filigranes,\u00a0Zo\u00e8me,\u00a0Wildproject, Building Books), solo or collective exhibitions, and, more\u00a0recently,\u00a0walked\u00a0performances. He\u00a0participated\u00a0in the\u00a0fourth\u00a0edition\u00a0of Regards du Grand Paris (2021),\u00a0received\u00a0the \u201cRadioscopie of France\u201d Major\u00a0Photojournalism\u00a0Commission (2022), and\u00a0co-published\u00a0Anti-installation\u00a0with\u00a0Jordi Ballesta (Building Books, 2023),\u00a0supported\u00a0by the French Center for Visual Arts (CNAP)\u00a0publishing\u00a0grant.<\/span>\u00a0<\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\n

\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\tJoshua Dudley Greer <\/span>\n\n\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t
\n\t\t\t\t\t

\"\"<\/span><\/span><\/p>\n

Joshua Dudley Greer (b. 1980, Hazleton, PA)\u00a0<\/span>is<\/span>\u00a0a\u00a0<\/span>photographer<\/span>\u00a0<\/span>based<\/span>\u00a0in Atlanta, GA,\u00a0<\/span>where<\/span>\u00a0<\/span>he<\/span>\u00a0<\/span>teaches<\/span>\u00a0at Georgia State\u00a0<\/span>University<\/span>.\u00a0<\/span>His<\/span>\u00a0<\/span>work<\/span>\u00a0has\u00a0<\/span>appeared<\/span>\u00a0in The New York Times, The California Sunday Magazine, The Atlantic, PDN, Le Monde, The Georgia\u00a0<\/span>Review<\/span>, GUP Magazine, and Oxford American. He has\u00a0<\/span>received<\/span>\u00a0<\/span>grants<\/span>\u00a0<\/span>from<\/span>\u00a0the Maryland State Arts Council, Tennessee Arts Commission, and the Aaron Siskind\u00a0<\/span>Foundation<\/span>. He has\u00a0<\/span>published<\/span>\u00a0<\/span>two<\/span>\u00a0<\/span>monographs<\/span>\u00a0to date \u2013\u00a0<\/span>Somewhere<\/span>\u00a0Along the Line (Kehrer\u00a0<\/span>Verlag<\/span>, 2019) and The\u00a0<\/span>Makeshift<\/span>\u00a0City (GOST, 2024).\u00a0<\/span>His<\/span>\u00a0<\/span>work<\/span>\u00a0<\/span>is<\/span>\u00a0<\/span>included<\/span>\u00a0in the permanent collections of the Harvard Art\u00a0<\/span>Museums<\/span>, the Museum of\u00a0<\/span>Contemporary<\/span>\u00a0<\/span>Photography<\/span>, the Ogden Museum of Southern Art, the New York Public Library, the Do Good Fund, and the High Museum of Art.<\/span><\/span>\u00a0<\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\n\n

<\/p>\n","protected":false},"featured_media":8998237,"menu_order":0,"template":"","app_discipline":[218],"app_city_tax":[221],"app_event_type":[242],"class_list":["post-8998232","app_event","type-app_event","status-publish","has-post-thumbnail","hentry","app_discipline-visual-arts","app_city_tax-atl","app_event_type-exhibition"],"acf":[],"yoast_head":"\nFrom Marseille to Atlanta: En Route Opens at Emory University - Villa Albertine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/villa-albertine.org\/va\/events\/from-marseille-to-atlanta-en-route-opens-at-emory-university\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"From Marseille to Atlanta: En Route Opens at Emory University - Villa Albertine\" \/>\n<meta property=\"og:description\" content=\"Launched in 2022 as part of the City\/Cit\u00e9 Atlanta x Marseille project, the initiative invited two photographers from each city to cross the Atlantic and immerse themselves in an unfamiliar urban environment. Marseille-based artists Yohanne Lamoul\u00e8re and Geoffroy Mathieu worked in Atlanta, while Atlanta photographers Nydia Blas and Joshua Dudley Greer completed residencies in Marseille.  Although Marseille and Atlanta have very different histories and geographies – Marseille is a Mediterranean port city whose origins date back to ancient Greece, whereas Atlanta is a landlocked city founded in 1837 as a railroad terminus – both cities have been shaped by migration, cultural diversity, and strong local identities. Through photography, each artist explored these connections from a personal perspective, engaging directly with residents, neighborhoods, and everyday life.  In Atlanta, Yohanne Lamoul\u00e8re focused on high school marching bands, capturing their discipline, pride, and collective energy, while Geoffroy Mathieu explored the city on foot, documenting the human stories that emerge within a landscape largely designed for...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/villa-albertine.org\/va\/events\/from-marseille-to-atlanta-en-route-opens-at-emory-university\/\" \/>\n<meta property=\"og:site_name\" content=\"Villa Albertine\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-01T15:45:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/villa-albertine.org\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-30-092235-1024x486.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"486\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/villa-albertine.org\\\/va\\\/events\\\/from-marseille-to-atlanta-en-route-opens-at-emory-university\\\/\",\"url\":\"https:\\\/\\\/villa-albertine.org\\\/va\\\/events\\\/from-marseille-to-atlanta-en-route-opens-at-emory-university\\\/\",\"name\":\"From Marseille to Atlanta: En Route Opens at Emory University - 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