{"id":790238,"date":"2024-09-26T17:31:53","date_gmt":"2024-09-26T17:31:53","guid":{"rendered":"https:\/\/villa-albertine.org\/va\/?post_type=app_event&#038;p=790238"},"modified":"2024-10-22T18:46:35","modified_gmt":"2024-10-22T18:46:35","slug":"the-french-visual-arts-scene-in-the-united-states-current-trends-long-term-dynamics","status":"publish","type":"app_event","link":"https:\/\/villa-albertine.org\/va\/events\/the-french-visual-arts-scene-in-the-united-states-current-trends-long-term-dynamics\/","title":{"rendered":"&#8220;French Artists in the US: Current Trends and Future Perspectives&#8221;"},"content":{"rendered":"\n<p>Featuring: <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Julia Halperin<\/strong>, New York-based journalist, art critic and author of the upcoming \u00c9tant donn\u00e9s report, <\/li>\n\n\n\n<li><strong>Thomas Hirschhorn<\/strong>, artist, first laureate of the Marcel Duchamp Prize and jury for the 2024 edition, <\/li>\n\n\n\n<li><strong>Fran\u00e7ois Quintin<\/strong>, Director&nbsp;of Collection Lambert, Avignon, <\/li>\n\n\n\n<li><strong>Mariane Ibrahim<\/strong>, international gallerist with locations in Paris, Mexico City, and Chicago, <\/li>\n\n\n\n<li><strong>Stephanie Seidel<\/strong>, is Monica and Blake Grossman curator, ICA Miami (Institute of Contemporary Art, Miami), <\/li>\n\n\n\n<li><strong>Rafael Pic<\/strong>, Editor-in-Chief of <em>Quotidien de l&#8217;Art<\/em> (moderator).<\/li>\n<\/ul>\n\n\n\n<p>The discussion will be followed by a guided tour of the Marcel Duchamp Prize exhibition, led by curator <strong>Jeanne Brun<\/strong>, Deputy Director of the Centre Pompidou. One of the four nominees for the prize will be invited to take up a residency at Villa Albertine.<\/p>\n\n\n\n<p>\u00c9tant donn\u00e9s is organized by Villa Albertine and Albertine Foundation with the exclusive sponsorship of AXA, in partnership with Institut Fran\u00e7ais, French Ministry of Culture, French Ministry of Europe and Foreign Affairs, and ADAGP.<\/p>\n\n\n\n<p>Simultaneous interpretation will be provided during the event.<\/p>\n\n\n\n<p>Register <a href=\"https:\/\/vip.villa-albertine.org\/_9g67l\">here<\/a> today!<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"accordion-member section__accordion js-accordion-member\">\n\t\t\t\t\t\t<div class=\"accordion__section\">\n\t\t\t\t<div class=\"accordion__head\">\n\t\t\t\t\t<a href=\"#\" aria-label=\"Toggle accordion\">\n\t\t\t\t\t\t<span>Julia Halperin<\/span>\n\n\t\t\t\t\t\t<div class=\"ico\"><\/div><!-- \/.ico -->\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div><!-- \/.accordion__head -->\n\n\t\t\t\t<div class=\"accordion__body richtext-entry\">\n\t\t\t\t\t<p><strong>Julia Halperin<\/strong> is a journalist and art critic, currently editor-at-large for <em>CULTURED<\/em>.<\/p>\n<p>She writes a monthly column for <em>The Art Newspaper<\/em> on American museums and contributes to major publications such as <em>The New York Times<\/em>, <em>The New Yorker<\/em>, and <em>The Financial Times<\/em>. In 2020, she co-authored the Burns Halperin Report with Charlotte Burns, the largest study tracking equity and the representation of women in the art world, which has since become a key indicator of inclusivity. Julia Halperin previously served as the museums editor for <em>The Art Newspaper<\/em> and was editor-in-chief of <em>Artnet News<\/em> from 2017 to 2022.<\/p>\n\t\t\t\t<\/div><!-- \/.accordion__body richtext-entry -->\n\t\t\t<\/div><!-- \/.accordion__section -->\n\t\t\t\t\t<div class=\"accordion__section\">\n\t\t\t\t<div class=\"accordion__head\">\n\t\t\t\t\t<a href=\"#\" aria-label=\"Toggle accordion\">\n\t\t\t\t\t\t<span>Thomas Hirschhorn<\/span>\n\n\t\t\t\t\t\t<div class=\"ico\"><\/div><!-- \/.ico -->\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div><!-- \/.accordion__head -->\n\n\t\t\t\t<div class=\"accordion__body richtext-entry\">\n\t\t\t\t\t<p><strong>Thomas Hirschhorn<\/strong> is a Swiss artist living and working in Paris.<\/p>\n<p>Hirschhorn rejects exclusive and elitist aesthetic criteria, such as quality, in favor of dynamic principles like energy and coexistence. He creates sprawling installations from ordinary materials that engage the senses, raising questions about aesthetic value, moral responsibility, political engagement, consumerism, and media spectacle. He is particularly known for a series of monuments dedicated to great philosophers such as Spinoza, Bataille, Deleuze, and Gramsci. Among his many accolades are the Marcel Duchamp Prize (2000), the Joseph Beuys Prize for Research (2004), the Dutch International Association of Art Critics Prize (2007), and the Kurt Schwitters Prize (2011).<\/p>\n\t\t\t\t<\/div><!-- \/.accordion__body richtext-entry -->\n\t\t\t<\/div><!-- \/.accordion__section -->\n\t\t\t\t\t<div class=\"accordion__section\">\n\t\t\t\t<div class=\"accordion__head\">\n\t\t\t\t\t<a href=\"#\" aria-label=\"Toggle accordion\">\n\t\t\t\t\t\t<span>Fran\u00e7ois Quintin<\/span>\n\n\t\t\t\t\t\t<div class=\"ico\"><\/div><!-- \/.ico -->\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div><!-- \/.accordion__head -->\n\n\t\t\t\t<div class=\"accordion__body richtext-entry\">\n\t\t\t\t\t<div class=\"flex-shrink-0 flex flex-col relative items-end\">\n<div>\n<div class=\"pt-0\">\n<div class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\">\n<div class=\"relative p-1 rounded-sm flex items-center justify-center bg-token-main-surface-primary text-token-text-primary h-8 w-8\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"group\/conversation-turn relative flex w-full min-w-0 flex-col agent-turn\">\n<div class=\"flex-col gap-1 md:gap-3\">\n<div class=\"flex max-w-full flex-col flex-grow\">\n<div class=\"min-h-8 text-message flex w-full flex-col items-end gap-2 whitespace-normal break-words [.text-message+&amp;]:mt-5\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"fd3f2a6a-5ba1-49cb-aa90-b306fed89a84\" data-message-model-slug=\"gpt-4o-mini\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\">\n<div class=\"markdown prose w-full break-words dark:prose-invert light\">\n<p><strong>Fran\u00e7ois Quintin<\/strong> is the director of the Collection Lambert in Avignon.<\/p>\n<p>His career began in 1994 when he became a curator at the Cartier Foundation, a position he held until 2000. He was then appointed director of the FRAC Champagne-Ardenne from 2001 to 2007, followed by a role as director of the Xippas Gallery. In 2011, as the deputy director of the Lafayette Anticipations Foundation, he co-launched the Lafayette Anticipations project with Guillaume Houz\u00e9, a multidisciplinary space focused on supporting artistic production. After conceptualizing the project and leading its preparatory program, he took on the role of artistic director of the space, which opened in 2016. In 2019, he joined the <span class=\"TextRun SCXW247583612 BCX0\" lang=\"FR-FR\" xml:lang=\"FR-FR\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW247583612 BCX0\">Direction g\u00e9n\u00e9rale de la cr\u00e9ation artistique<\/span><\/span> (DGCA) at the Ministry of Culture before becoming the director of the Collection Lambert in 2020.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- \/.accordion__body richtext-entry -->\n\t\t\t<\/div><!-- \/.accordion__section -->\n\t\t\t\t\t<div class=\"accordion__section\">\n\t\t\t\t<div class=\"accordion__head\">\n\t\t\t\t\t<a href=\"#\" aria-label=\"Toggle accordion\">\n\t\t\t\t\t\t<span>Mariane Ibrahim <\/span>\n\n\t\t\t\t\t\t<div class=\"ico\"><\/div><!-- \/.ico -->\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div><!-- \/.accordion__head -->\n\n\t\t\t\t<div class=\"accordion__body richtext-entry\">\n\t\t\t\t\t<p><strong>Mariane Ibrahim<\/strong> is an international gallerist.<\/p>\n<p>She founded her eponymous gallery in Seattle in 2012 before relocating it to Chicago in 2019. Continuing her global expansion, Ibrahim opened a European space in Paris in 2021, followed by another in Mexico City in 2023. The gallery has hosted acclaimed exhibitions, highlighting both established and emerging artists, with a significant focus on the African diaspora, including artists such as Amoako Boafo, Yukimasa Ida, Peter Uka, Zohra Opoku, and Rapha\u00ebl Barontini. In 2021, she was awarded the Ordre des Arts et des Lettres by the French Ministry of Culture. Among her notable distinctions and roles are the Prize for the Presents Section at The Armory Show in 2017, her current position as a member of the selection committee for The Armory Show, her involvement with the Visionaries Council of Performa Arts, and her membership in the Art Dealers Association of America.<\/p>\n\t\t\t\t<\/div><!-- \/.accordion__body richtext-entry -->\n\t\t\t<\/div><!-- \/.accordion__section -->\n\t\t\t\t\t<div class=\"accordion__section\">\n\t\t\t\t<div class=\"accordion__head\">\n\t\t\t\t\t<a href=\"#\" aria-label=\"Toggle accordion\">\n\t\t\t\t\t\t<span>Stephanie Seidel<\/span>\n\n\t\t\t\t\t\t<div class=\"ico\"><\/div><!-- \/.ico -->\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div><!-- \/.accordion__head -->\n\n\t\t\t\t<div class=\"accordion__body richtext-entry\">\n\t\t\t\t\t<p><strong>Stephanie Seidel<\/strong><span data-contrast=\"auto\"> is Monica and Blake Grossman curator, ICA Miami (Institute of Contemporary Art, Miami).<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:240,&quot;335559739&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Since joining ICA Miami in 2016, Seidel has curated a number of exhibitions, including the survey \u201cBetye Saar: Serious Moonlight\u201d in collaboration with 49 Nord 6 Est \u2013 Frac Lorraine, Metz, France, and Kunstmuseum Luzern, Switzerland, the co-curation of solo presentations \u201cJudy Chicago: A Reckoning\u201d and \u201cChakaia Booker: The Observance\u201d as well as major retrospectives for Thomas Bayrle and Allan McCollum. Additionally, she has curated the first museum solo exhibitions for artists Tomm El-Saieh, Diamond Stingily, and Janiva Ellis, and organized exhibitions for Ellen Lesperance, Anthea Hamilton, Claudia Andujar, Louise Bourgeois, Louise Nevelson, Edward and Nancy Kienholz, and William N. Copley. In 2019 she organized the symposium \u201cThey Failed to Remember Us: Expanding Intersectional Feminisms.\u201d <\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:240,&quot;335559739&quot;:240}\">\u00a0<\/span><\/p>\n\t\t\t\t<\/div><!-- \/.accordion__body richtext-entry -->\n\t\t\t<\/div><!-- \/.accordion__section -->\n\t\t\t\t\t<div class=\"accordion__section\">\n\t\t\t\t<div class=\"accordion__head\">\n\t\t\t\t\t<a href=\"#\" aria-label=\"Toggle accordion\">\n\t\t\t\t\t\t<span>Rafa\u00ebl Pic<\/span>\n\n\t\t\t\t\t\t<div class=\"ico\"><\/div><!-- \/.ico -->\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div><!-- \/.accordion__head -->\n\n\t\t\t\t<div class=\"accordion__body richtext-entry\">\n\t\t\t\t\t<p><strong>Rafa\u00ebl Pic<\/strong> is the editor-in-chief of <em>Quotidien de l\u2019Art<\/em>.<\/p>\n<p>A graduate of Sciences Po Paris and the London School of Economics, Rafael Pic has worked in publishing at Masson and in consulting at DAFSA. He became the editor of <em>Mus\u00e9art<\/em> before contributing to the creation of the print weekly and the website Artaujourdhui.info with Jacques Dodeman in 2001. Since 2006, he has coordinated over a hundred special issues for <em>Beaux-Arts<\/em>.<\/p>\n\t\t\t\t<\/div><!-- \/.accordion__body richtext-entry -->\n\t\t\t<\/div><!-- \/.accordion__section -->\n\t\t\t<\/div><!-- \/.accordion-member section__accordion js-accordion-member -->\n","protected":false},"featured_media":797861,"menu_order":0,"template":"","app_discipline":[218],"app_city_tax":[235],"app_event_type":[424],"class_list":["post-790238","app_event","type-app_event","status-publish","has-post-thumbnail","hentry","app_discipline-visual-arts","app_city_tax-all-cities","app_event_type-table-ronde-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;French Artists in the US: Current Trends and Future Perspectives&quot; - Villa Albertine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/villa-albertine.org\/va\/events\/the-french-visual-arts-scene-in-the-united-states-current-trends-long-term-dynamics\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;French Artists in the US: Current Trends and Future Perspectives&quot; - Villa Albertine\" \/>\n<meta property=\"og:description\" content=\"Featuring: The discussion will be followed by a guided tour of the Marcel Duchamp Prize exhibition, led by curator Jeanne Brun, Deputy Director of the Centre Pompidou. 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