{"id":60735,"date":"2023-06-06T15:54:48","date_gmt":"2023-06-06T15:54:48","guid":{"rendered":"https:\/\/villa-albertine.org\/events\/albertine-dance-season-professional-symposium\/"},"modified":"2023-10-26T18:05:12","modified_gmt":"2023-10-26T18:05:12","slug":"albertine-dance-season-professional-symposium","status":"publish","type":"app_event","link":"https:\/\/villa-albertine.org\/va\/events\/albertine-dance-season-professional-symposium\/","title":{"rendered":"Albertine Dance Season |  Professional Symposium"},"content":{"rendered":"<p>How do we sustain a practice of global exchange in dance at a time of climate and funding crisis; a time marked by social inequities and cultural upheavals? What are the privileges and abundances, the tools and creative resources that can be shared and imagined in common? Drawing on a rich tradition of choreographic exchange and collaboration, the symposium will gather dance artists, curators, scholars, and funders working on both sides of the Atlantic to reflect upon and speculate on the models and approaches that can best guide future partnerships and cooperative action.<\/p>\n<p>This two-day event will include roundtables with industry experts and opportunities for one-on-one dialogues with artists on topics including dance residencies, pedagogy as performance, transmission, curatorial ecologies, and more.<\/p>\n<p>The professional symposium, curated by No\u00e9mie Solomon with the support of an Advisory Committee and the Villa Albertine team, is<b>\u00a0free and open to students, culture professionals,\u00a0<\/b>and anyone interested in the world of dance and live arts.\u00a0<\/p>\n<p>REGISTER to attend in person (Button on the left of your screen)<\/p>\n<p>The two-day symposium will also be livestreamed on <a href=\"https:\/\/howlround.com\/happenings\/reciprocities-making-and-supporting-dance-between-france-and-united-states\">HowlRound TV<\/a>, a project of HowlRound Theatre Commons.\u00a0<\/p>\n<p><iframe loading=\"lazy\" title=\"Reciprocities - Making and Supporting Dance between France and the United States\" src=\"https:\/\/peertube-us.howlround.com\/videos\/embed\/e541589a-cef1-45af-981c-a2bd758b67c5\" width=\"560\" height=\"315\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-popups\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The Symposium is part of the Albertine Dance Season: A year-long celebration of the art of dance from inception to performance. \u00a0Browse the season\u2019s full programming <a href=\"https:\/\/villa-albertine.org\/events\/albertine-dance-season\/\">here<\/a>\u00a0<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h3>Schedule<\/h3>\n<p><b><span data-contrast=\"none\">Thursday, October 26<\/span><\/b><\/p>\n<p><span data-contrast=\"none\">9:45am &#8211; Welcome <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">10am &#8211; Introduction<\/span><\/p>\n<p><span data-contrast=\"none\"><strong>10:30am &#8211; Roundtable I &#8211; PEDAGOGY AS PERFORMANCE<\/strong><br \/><\/span><span class=\"EOP SCXW173810970 BCX8\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559685&quot;:720,&quot;335559740&quot;:276}\"> <span class=\"NormalTextRun SCXW263851691 BCX8\">What can hybrid spaces of learning \u2013\u202fwhere pedagogy meets performance and vice-versa \u2013 teach curatorial practices? What are the educational and experimental models that drive\u00a0<\/span><span class=\"NormalTextRun SCXW263851691 BCX8\">the development of \u201ccreative campuses\u201d and dance programs on both sides of the Atlantic?\u00a0<\/span><\/span><\/p>\n<p><strong>Panelists:<\/strong>\u00a0 Rapha\u00eblle Delaunay, Choreographer and dance educator, Program \u00c9lan \u2013 Centre national de la danse (CN D), Pantin;\u00a0 Joshua Lubin Levy, Director, Center for the Arts, Wesleyan University, Middletown, CT; No\u00e9 Soulier, Choreographer and Director, Centre national de Danse Contemporaine (CNDC), Angers; Dr. Julia M. Ritter, Dean, USC Glorya Kaufman School of Dance, U. of Southern California.<\/p>\n<p>Moderated by Tara Aisha Willis, Performer, curator, and scholar, Chicago.<\/p>\n<p>Respondent: Ashley Dehoyos Sauder, Curator, Diverseworks, Houston, TX.<\/p>\n<p><span style=\"font-weight: 400;\">11:45am &#8211; BREAK<\/span><\/p>\n<p><span style=\"font-weight: 400;\">12pm &#8211;\u00a0 Artists Provocation I &#8211; <span class=\"TextRun MacChromeBold SCXW171181793 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW171181793 BCX0\">Linda Hayford<\/span><\/span> <span class=\"TextRun MacChromeBold SCXW171181793 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW171181793 BCX0\">(FAIR-E collective)<\/span><\/span><span class=\"TextRun SCXW171181793 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW171181793 BCX0\"> and <\/span><\/span><span class=\"TextRun MacChromeBold SCXW171181793 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW171181793 BCX0\">Alain<\/span><span class=\"NormalTextRun SCXW171181793 BCX0\"> \u201c<\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW171181793 BCX0\">Hurri<\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW171181793 BCX0\">k<\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW171181793 BCX0\">ane<\/span><span class=\"NormalTextRun SCXW171181793 BCX0\">\u201d<\/span><span class=\"NormalTextRun SCXW171181793 BCX0\"> Lauture.<\/span><\/span><\/span><\/p>\n<p>12:45pm &#8211; BREAK<\/p>\n<p><span data-contrast=\"none\"><strong>2:15pm &#8211; Roundtable II &#8211; CHOREOGRAPHING RESIDENCIES<\/strong><br \/><\/span><span class=\"TextRun SCXW263851691 BCX8\" lang=\"EN\" xml:lang=\"EN\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW263851691 BCX8\">Drawing on artistic needs, how can we design malleable infrastructures of care than span extended periods of time and various geographies? How might the creative residency foreground issues of research and deceleration in a product-oriented economy?\u00a0<\/span><\/span><\/p>\n<p><strong>Panelists:<\/strong> Edgar Miramontes, Executive and Artistic Director, Center for the Art and Performance (CAP-UCLA), Los Angeles; Elsa Safarti, Director, \u00a0Espace 1789, Saint-Ouen; Catherine Tsekenis, Executive Director, Centre national de la Danse (CN D), Pantin; <span class=\"TextRun SCXW58247890 BCX0\" lang=\"EN\" xml:lang=\"EN\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW58247890 BCX0\">Mar\u00fda Wethers, Independent Creative Producer &amp; Curator,\u00a0<\/span><\/span>New York.<\/p>\n<p>Moderated by Judy Hussie-Taylor, Director, Danspace Project, New York.<\/p>\n<p>Respondent: Ashley Ferro-Murray, Director, Arts Program, Doris Duke Foundation.<\/p>\n<p><span data-contrast=\"none\">3:30pm &#8211; BREAK<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">3:45pm &#8211; Artists Provocation II &#8211; <span class=\"TextRun MacChromeBold SCXW202714062 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW202714062 BCX0\">Emmanuelle Huynh<\/span><\/span><span class=\"TextRun SCXW202714062 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW202714062 BCX0\"> and <\/span><\/span><span class=\"TextRun MacChromeBold SCXW202714062 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW202714062 BCX0\">Tara Lorenzen.<\/span><\/span><\/span><\/p>\n<p><b><span data-contrast=\"none\">Friday, October 27<\/span><\/b><\/p>\n<p><span data-contrast=\"none\">9:15 am &#8211; Welcome<\/span><\/p>\n<p><span data-contrast=\"none\">9:30am &#8211; <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0Introduction<\/span><\/p>\n<p><span data-contrast=\"none\">10am &#8211; Artists Provocation III &#8211; <span class=\"TextRun MacChromeBold SCXW172021334 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW172021334 BCX0\">Doroth\u00e9e <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW172021334 BCX0\">Munyaneza<\/span><\/span><span class=\"TextRun SCXW172021334 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW172021334 BCX0\"> and <\/span><\/span><span class=\"TextRun MacChromeBold SCXW172021334 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW172021334 BCX0\">Will Rawls.<\/span><\/span><\/span><\/p>\n<p><span data-contrast=\"none\">10:45am &#8211; BREAK<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><strong>11:00am &#8211; Roundtable III\u00a0 &#8211; ACTS OF TRANSMISSION<\/strong><br \/><\/span><span class=\"TextRun SCXW4856903 BCX8\" lang=\"EN\" xml:lang=\"EN\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW4856903 BCX8\">What is the role of transmission in dance making and curating? How does it play out across practices of composition and performance, preservation and mediation? What are the strategies that enable choreograph<\/span><span class=\"NormalTextRun SCXW4856903 BCX8\">ic works to live on; to reach out to and gather various assemblies thus bridging generational and cultural divides?\u00a0<\/span><\/span><span class=\"EOP SCXW4856903 BCX8\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559685&quot;:720,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><strong>Panelists: <\/strong>Anne Collod, Performer and Choreographer; Serge Laurent, Director of Dance and Culture Program, Van Cleef &amp; Arpels; Linda Murray, Curator, Jerome Robbins Dance Collection, NYPL-Performing Arts; David Hamilton Thomson, Choreographer \/ performer.\u00a0<\/p>\n<p>Moderated by Andr\u00e9 Lepecki , <span class=\"TextRun SCXW176064381 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW176064381 BCX0\" data-ccp-charstyle=\"normaltextrun\">Professor<\/span><span class=\"NormalTextRun SCXW176064381 BCX0\" data-ccp-charstyle=\"normaltextrun\"> Department of Performance Studies and Associate Dean, Center for Research &amp; Study, Tisch School of the Arts, NYU<\/span><\/span><\/p>\n<p>Respondent: Ruth Est\u00e9vez, Independant curator.<\/p>\n<p><span data-contrast=\"none\">12:15pm &#8211; BREAK<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">1:15pm \u2013 Artists Provocation IV &#8211; <span class=\"TextRun MacChromeBold SCXW1083231 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW1083231 BCX0\">Rachid <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW1083231 BCX0\">Ouramdane<\/span><\/span><span class=\"TextRun SCXW1083231 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW1083231 BCX0\"> and <\/span><\/span><span class=\"TextRun MacChromeBold SCXW1083231 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW1083231 BCX0\">Lauren Bakst.<\/span><\/span><\/span><\/p>\n<p>2:00pm &#8211; BREAK<\/p>\n<p><span data-contrast=\"none\"><strong>2:15pm &#8211; Roundtable IV &#8211; CURATORIAL ECOLOGIES<\/strong><\/span><\/p>\n<p><span data-contrast=\"none\">What are the roles and responsibilities of dance curators today in regard to various artists, works, collectivities? How can we account for stark social inequalities, as well as the ecological challenges we face while continuing to nurture exchanges locally and internationally? <\/span><\/p>\n<p><strong>Panelists:<\/strong> Tanguy Accart, Deputy Director, Maison de danse\/Director, Development, Lyon Dance Biennial; Philip Bither, Senior Curator, Performing Arts, Walker Arts Center, Minneapolis;\u00a0 Rachid Ouramdane, Choreographer and Director, Chaillot-Th\u00e9\u00e2tre National de la Danse, Paris; Janet Wong, Associate Artistic Director, New York Live Arts.<\/p>\n<p>Moderated by Angela Mattox, Senior Manager of Awardee Engagement, Creative Capital, New York.<\/p>\n<p>Respondent: Ali Rosa Salas, VP of Visual and Performing Arts, Abrons Arts Center, New York.<\/p>\n<p><span data-contrast=\"none\">3:30pm &#8211;\u00a0<\/span><span data-contrast=\"none\">Conclusions<\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\"> <em>Program subject to change. A detailed program with biographies of the speakers will be available soon.<\/em><\/span><\/p>\n<p><strong>About No\u00e9mie Solomon<\/strong><\/p>\n<p>No\u00e9mie Solomon works in the field of dance and performance as a writer, teacher, and curator.\u00a0She edited the collections\u00a0<em>DANSE<\/em>\u00a0(an anthology and a catalogue published by Presses du r\u00e9el, 2014 and 2015) that translate and present key texts on the somatic and linguistic trades between French and North American choreographic cultures.\u00a0She holds a PhD in Performance Studies and is Director of the Institute for Curatorial Practice in Performance.<\/p>\n<p><strong><span class=\"TextRun SCXW162800817 BCX0\" lang=\"EN\" xml:lang=\"EN\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW162800817 BCX0\">About The Advisory Committee<\/span><\/span><\/strong><\/p>\n<p><span class=\"TextRun SCXW162800817 BCX0\" lang=\"EN\" xml:lang=\"EN\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW162800817 BCX0\">To nurture the exchanges and develop the professional symposium, <\/span><\/span><span class=\"TextRun MacChromeBold SCXW162800817 BCX0\" lang=\"EN\" xml:lang=\"EN\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW162800817 BCX0\">an Advisory Committee 2022-2023<\/span><\/span><span class=\"TextRun SCXW162800817 BCX0\" lang=\"EN\" xml:lang=\"EN\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW162800817 BCX0\"> has been created with twelve <\/span><span class=\"NormalTextRun SCXW162800817 BCX0\">U.S. and<\/span><span class=\"NormalTextRun SCXW162800817 BCX0\"> French representatives led by No\u00e9mie Solomon as advisor and <\/span><span class=\"NormalTextRun SCXW162800817 BCX0\">the <\/span><span class=\"NormalTextRun SCXW162800817 BCX0\">Villa Albertine\u2019s team<\/span><span class=\"NormalTextRun SCXW162800817 BCX0\">.<\/span><\/span><\/p>\n<p><span class=\"EOP SCXW162800817 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:1,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559737&quot;:-468,&quot;335559740&quot;:290}\">It includes:<\/span><\/p>\n<p><span class=\"EOP SCXW162800817 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:1,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559737&quot;:-468,&quot;335559740&quot;:290}\"><strong><span data-contrast=\"auto\">From The United States: <\/span><\/strong>Philip Bither, Senior Curator, Performing Arts, Walker Arts Center, Minneapolis, MN; Angela Mattox, Senior Manager of Awardee Engagement, Creative Capital, NY ; Sophie Myrtil-McCourty, Founder and Director, Lotus Arts Management, New York, NY; Anne-Ga\u00eblle Saliot, Associate Professor of Romance Studies and Core Faculty of the Arts of the Moving Image program. Duke University, Durham, NC; Will Rawls, multidisciplinary choreographer working in dance, video and installation and associate professor, UCLA; Tara Aisha Willis, dancer and writer (ex Curator in Performance &amp; Public Practice at the Museum of Contemporary Art, Chicago, IL.)<\/span><\/p>\n<p><span class=\"EOP SCXW162800817 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:1,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559737&quot;:-468,&quot;335559740&quot;:290}\"><strong>From France:\u00a0 <\/strong><\/span><span data-contrast=\"none\">Catherine Tsekenis, <\/span><span data-contrast=\"none\">Executive Director, Centre National de la Danse \u2013 CN D, Pantin; Ga\u00eblle Massicot-Bitty, Director, Music and Live Arts, Institut fran\u00e7ais, Paris; <\/span><span data-contrast=\"none\">Laurent Vinauger,<\/span><span data-contrast=\"auto\"> Advisor, Dance, Ministry of Culture-d\u00e9l\u00e9gation \u00e0 la danse, Paris; <\/span><span data-contrast=\"none\">Collectif FAIR-E, co-<\/span><span data-contrast=\"auto\">Directors &#8211; National Choreographic Center, Rennes; <\/span><span data-contrast=\"none\">Tanguy Accart, <\/span><span data-contrast=\"auto\">Director, Productions and Development, Maison de la danse, Lyon; <\/span><span data-contrast=\"none\">Serge Laurent, Director<\/span><span data-contrast=\"auto\"> of Dance and Culture program,\u00a0 Van Cleef &amp; Arpels, Paris.<\/span><\/p>\n<p>Credits:<\/p>\n<p>Leadership support for Albertine Dance Season provided by ARDIAN.<\/p>\n<p>Additional support for the professional symposium by Institut fran\u00e7ais, Howlround Theater Commons, and Centre National de la Danse (CN D)<\/p>\n\n\n<pre class=\"wp-block-code\"><code><\/code><\/pre>\n","protected":false},"featured_media":60733,"menu_order":0,"template":"","app_discipline":[227],"app_city_tax":[217],"app_event_type":[],"class_list":["post-60735","app_event","type-app_event","status-publish","has-post-thumbnail","hentry","app_discipline-performing-arts","app_city_tax-nyc"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Albertine Dance Season | Professional Symposium - Villa Albertine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/villa-albertine.org\/va\/events\/albertine-dance-season-professional-symposium\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Albertine Dance Season | Professional Symposium - Villa Albertine\" \/>\n<meta property=\"og:description\" content=\"How do we sustain a practice of global exchange in dance at a time of climate and funding crisis; a time marked by social inequities and cultural upheavals? 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