To sing “without being forced to accommodate anyone but oneself,” as Giulio Caccini wrote, is a skill that opens vast horizons for both performer and audience. This ability grants them a degree of liberty for which the relationship between signer and accompanist rarely allows, even after dedicated practice and hard work.<\/p>\n
Since the earliest days of music, accompanists have mixed the sound of plucked or bowed strings with the inflections of the singer’s voice, accompanied it with notes or chords, and added a rhythmic energy that the voice could not find alone. Whether it be the ancient lyre, the harp of medieval troubadours, the lute of Ronsard’s contemporaries, Hume’s viola da gamba, Caccini’s chitarrone or Lambert’s theorbo, the idea is the same: to create a sonic space where “the voice is free” and words can be clearly spoken and heard, so that poetry may touch the listener.<\/p>\n
Marco Horvat and Francisco Ma\u00f1alich are among the rare modern performers capable of giving life to this essential practice of Baroque music. They took care to craft a program worthy of their talent, in which the repertoire would incorporate the many combinations of voice and instrumentation that they can create.<\/p>\n
P\ufeffROGRAM :\u00a0<\/strong><\/p>\n Gabriel BATAILLE,\u00a0El Baxel esta en la playa<\/em><\/p>\n H\ufeffenry PURCELL,\u00a0For Love every creature<\/em><\/p>\n T\ufeffobias HUME, The Soldiars’ song<\/em><\/p>\n T\ufeffhomas CAMPION,\u00a0When to her lute Corinna sings<\/em><\/p>\n H\ufeffenry PURCELL,\u00a0Julia<\/em><\/p>\n A\ufeffndr\u00e9 CAMPRA,\u00a0Viens, ma lyre<\/em><\/p>\n C\ufeffharles DUFAUT,\u00a0Sarabande<\/em><\/p>\n C\ufeffharles HUREL,\u00a0Air \u00e0 boire<\/em><\/p>\n D\ufeffUBUISSON,\u00a0Pr\u00e9lude<\/em><\/p>\n A\ufeffnonyme, Les Airs de diff\u00e9rents auteurs,\u00a0Depuis que j’aime Lisette<\/em><\/p>\n F\ufeffran\u00e7ois CAMPION,\u00a0Apollon, c’est toi que j’implore<\/em><\/p>\n G\ufeffiulio SAN PIETRO DE’ NEGRI,\u00a0Bionda, mia bella<\/em><\/p>\n B\ufeffelleforonte CASTALDI,\u00a0Chi vidde pi\u00f9 lieto<\/em><\/p>\n C\ufeffarlo MILANUZZI,\u00a0Non voglio amare<\/em><\/p>\n A\ufeffnonyme,\u00a0Canzonette spirituali e morali, Passacaglia della vita<\/em><\/p>\n","protected":false},"featured_media":60149,"menu_order":0,"template":"","app_discipline":[230],"app_city_tax":[226],"app_event_type":[238],"class_list":["post-60151","app_event","type-app_event","status-publish","has-post-thumbnail","hentry","app_discipline-music","app_city_tax-dc","app_event_type-concert"],"acf":[],"yoast_head":"\n