The 2022 edition of NYJFF will feature both in-person screenings at the Walter Reade Theater, 165 West 65th Street, NYC, and virtual offerings. The NYJFF line-up showcases 33 wide-ranging and exciting features and shorts (24 features and 9 shorts), including French films and coproductions.<\/p>\n
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CLOSING FILM<\/strong>:\u00a0Rose (US Premiere)<\/strong> \u00a0<\/p>\n The Death of Cinema and My Father Too (NY Premiere)<\/strong> \u00a0<\/p>\n The End of Love (NYC Premiere) \u00a0<\/p>\n From Where They Stood (NY Premiere) \u00a0<\/strong><\/p>\n The Lost Film of Nuremberg (US Premiere) \u00a0<\/p>\n The Will to See (NY Premiere)
Aur\u00e9lie Saada, France, 2021, 102 min. French with English subtitles<\/strong>
\nActress and screenwriter Aur\u00e9lie Saada makes her directorial debut with this life-affirming reminder that it\u2019s never too late to seek fulfillment. The joys of celebrating the birthday of the Goldberg family patriarch give way to sorrow as his sudden death leaves his devoted wife Rose (screen legend Fran\u00e7oise Fabian, who played the title role in \u00c9ric Rohmer\u2019s 1969 classic My Night at Maud\u2019s) uncertain of how to navigate life as a widow approaching 80. Her family offers little solace, but gradually Rose begins to advocate for her wishes and pursue her desires, rejecting the societal pressure to \u201cact her age\u201d and fade into benign oblivion. Similar in concept to Sebasti\u00e1n Lelio\u2019s crowd-pleasing Gloria, but with its own cultural specificity and a careercrowning turn from Fabian, Rose took home the Variety Piazza Grande Award at the 2021 Locarno Film Festival.
Wednesday, January 19, 1:00pm & 7:00pm<\/strong><\/p>\n
Dani Rosenberg, Israel\/France, 2020, 105 min. Hebrew with English subtitles<\/strong>
\nErstwhile documentarian Dani Rosenberg makes his feature debut as solo director with a project he calls \u201ca fiction film that crashes into the walls of reality.\u201d Previously awarded a grant to shoot a political drama, Rosenberg had planned to cast his own father in the leading role, but the older man\u2019s cancer halted the production. After his father\u2019s death, Rosenberg returned to the material with a meta-narrative about a filmmaker (Roni Kuban as a version of Dani) directing his ailing father (played by esteemed producer Marek Rozenbaum) in an against-the-clock film shoot that incorporates footage of the real Rosenberg Sr. A playful statement on cinema\u2019s power to freeze a moment but not stop the flow of time, The Death of Cinema and My Father Too won the award for Best Israeli Feature at the Jerusalem Film Festival, and finds the director\u2019s mother Ina playing the parent of his alter ego.
Thursday, January 13 (virtual)<\/strong><\/p>\n
\nKeren Ben Rafael, France\/Israel, 2019, 90 min. French and Hebrew with English subtitles<\/strong>
\nJulie and Yuval (Judith Chemla and Arieh Worthalter), a couple living in Paris with their new baby, are parted when Yuval is forced to return to Israel to renew his visa. Thousands of miles removed, with Yuval detained by red tape, they must rely on technology to maintain their connection. Director Keren Ben Rafael\u2019s second feature was made before the COVID-19 pandemic, yet uncannily foreshadows what would soon become a near-universal condition: dependence on screens to sustain relationships over vast distances and prolonged separations. Judith Chemla, the star of NYJFF 2020’s My Polish Honeymoon, brings her deep expressiveness to this engaging and poignant film. Ben Rafael\u2019s screenplay, co-written with \u00c9lise Benroubi, captures the bewildering sensation of mediated intimacy, depicting how virtual interactions, seemingly preferable to none at all, can escalate feelings of paranoia and estrangement, erode privacy, and pose as grave a threat to love as time and distance apart.
Friday, January 14 (virtual)<\/strong><\/p>\n
\nChristophe Cognet, France\/Germany, 2021, 110 min. French, German, and Polish with English subtitles<\/strong>
\nNonfiction veteran Christophe Cognet contributes a vital account of the risks undertaken to create a visual record of the Holocaust. From Where They Stood details the heroic efforts of prisoners at Dachau, Auschwitz-Birkenau, and elsewhere to photograph the realities of their existence, and to smuggle their pictures out of the camps in the fervent hope that the world would bear witness. After establishing his mise-en-sc\u00e8ne, Cognet zooms in to consider the individuals who took the photos\u2014their methods and motives\u2014and the figures populating their images, rescuing them from historical anonymity and endowing them with human dimensions. The winner of a documentary prize at the 2021 Jerusalem Film Festival, From Where They Stood was screened in France under the title \u00c0 pas aveugles, meaning \u201cblindly\u201d\u2014a cogent reminder of the speed and precision necessary for the photographers to snap their shots without fatal exposure.
Friday, January 14 (virtual)<\/strong><\/p>\n
\nJean-Christophe Klotz, France\/Germany, 2021, 52 min. French and German with English subtitles<\/strong>
\nAdapted from Sandra Schulberg\u2019s monograph Filmmakers for the Prosecution, The Lost Film of Nuremberg retraces the hunt for film evidence that could convict the Nazis at the Nuremberg Trial. The searchers were two sons of Hollywood\u2014brothers Budd and Stuart Schulberg\u2014serving under the command of OSS film chief John Ford. The motion pictures they presented in the courtroom became part of the official record and shape our understanding of the Holocaust to this day. Seventy-five years after the trial, French journalist and filmmaker Jean-Christophe Klotz returns to the German salt mines where films lay burning, uncovers never-before-seen footage, and interviews key figures to unravel why the resulting film about the trial\u2014Nuremberg: Its Lesson for Today by Stuart Schulberg\u2014was intentionally buried by the U.S. Department of War. Klotz\u2019s riveting film also fills in the gaps of how these groundbreaking materials were sourced and poses still-pertinent questions about documentarians\u2019 obligations to posterity.
\nPreceded by A Kaddish for Selim Jane Wells, USA, 2021, 15 min. English World Premiere.
Thursday, January 13, 1:00pm & 7:00pm<\/strong><\/p>\n
\nBernard-Henri L\u00e9vy and Marc Roussel, France, 2021, 92 min. French and English with English subtitles<\/strong>
\nProlific French writer, activist, and philosopher Bernard-Henri L\u00e9vy has been described by The New York Times as \u201can intellectual adventurer who brings publicity to unfashionable political causes.\u201d He\u2019s written over 30 books and at times attracted controversy for his outspoken opinions. His latest project, this eye-opening essay film, which also provides an intellectual history of Levy’s thinking from his time with author and statesman Andr\u00e9 Malraux some 50 years ago, grew out of his expedition on behalf of several international newspapers to places where human suffering predominates. Whether due to prolonged war, terrorism, or state-sponsored genocide, L\u00e9vy\u2019s destinations are not only beset with misfortune but also largely overlooked by the apparatuses capable of effecting change. Journeying from the overcrowded and unsanitary refugee camp in Lesbos that burned to the ground in September 2020 to Mogadishu, Somalia, \u201ca ghost town abandoned to the warlords,\u201d to Nigeria, where Christians are massacred with impunity, L\u00e9vy turns a spotlight on locations the world cannot afford to keep ignoring.
Sunday, January 16, 4:00pm<\/strong><\/p>\n","protected":false},"featured_media":58605,"menu_order":0,"template":"","app_discipline":[219],"app_city_tax":[217],"app_event_type":[239],"class_list":["post-58607","app_event","type-app_event","status-publish","has-post-thumbnail","hentry","app_discipline-cinema","app_city_tax-nyc","app_event_type-film"],"acf":[],"yoast_head":"\n