{"id":259023,"date":"2023-09-01T20:05:07","date_gmt":"2023-09-01T20:05:07","guid":{"rendered":"https:\/\/villa-albertine.org\/?post_type=app_event&p=259023"},"modified":"2024-01-03T17:21:18","modified_gmt":"2024-01-03T17:21:18","slug":"weve-rounded-up-a-selection-of-french-films-and-co-productions-that-will-be-screened-at-metrograph-in-september","status":"publish","type":"app_event","link":"https:\/\/villa-albertine.org\/va\/events\/weve-rounded-up-a-selection-of-french-films-and-co-productions-that-will-be-screened-at-metrograph-in-september\/","title":{"rendered":"French Films at Metrograph \u2013 September 2023"},"content":{"rendered":"\n

“Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles” (1977) \u2013 September 2, 4 & 6<\/strong><\/p>\n\n\n\n

Directed by Chantal Akerman<\/p>\n\n\n\n

The late Chantal Akerman was only 24 years old when she and her nearly all-female crew made this, her 1975 masterpiece, proclaimed the greatest film ever made in the 2022 Sight & Sound poll. Over the course of three days\u2014distilled into three entrancing hours of cinema\u2014the life of a woman (Delphine Seyrig) is not just captured but articulated, not with big dramatic turns but with the repetitive, near-tedious, yet hypnotically compelling natural rhythms and gestures of her daily household rituals: cooking, cleaning, eating, bathing. Akerman\u2019s hyper-attention to detail tells an otherwise small story, yet the effect is nothing short of pure, compulsively watchable spectacle.

\u201cHypnotic, radical, and one of the most influential films ever made, this minimalist tour-de-force discovers entire universes folded into the routines of Seyrig\u2019s eponymous Belgian housewife. Co-produced by Vecchiali, Liliane de Kermadec (whose Alo\u00efse also stars Seyrig, and features in this retrospective) and others.\u201d\u2014Series curators Bingham Bryant and Graham Carter

Introduction from series curators Bingham Bryant and Graham Carter on Saturday, September 12th<\/p>\n\n\n\n

Part of Paul Vecchiali, Producer<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

“C\u00e9zanne – Conversation With Joachim Gasquet” (1990) \u2013 Sept 1 & 2<\/strong><\/p>\n\n\n\n

Directed by Jean-Marie Straub and Dani\u00e8le Huillet<\/p>\n\n\n\n

A lovely tribute to the painter Paul C\u00e9zanne, a figure near and dear to Straub and Huillet, which incorporates passages from Gasquet\u2019s book about his long-time friend Paul C\u00e9zanne, scenes from Jean Renoir\u2019s film of Madame Bovary, photographs of C\u00e9zanne by the painter Maurice Denis, and material shot at Mont Sainte-Victoire\u2014a location of great importance to the painter. Screens with En rach\u00e2chant<\/em>, Straub and Huillet\u2019s charming adaptation of Marguerite Duras\u2019s subversive, anti-authoritarian 1971 children\u2019s story \u201cAh! Ernesto,\u201d about a precocious nine-year-old boy who refuses to return to school.

\u201cVecchiali not only produced these two films for Straub and Huillet, but provided catering on several of their other productions\u2014a side business of his Diagonale production company.\u201d\u2014Series curators Bingham Bryant and Graham Carter<\/p>\n\n\n\n

Screening preceded by short film, En rach\u00e2chant<\/em>, 1982, 7 min.<\/p>\n\n\n\n

Introduction from series curators Bingham Bryant and Graham Carter on Friday, September 1st and and Saturday, September 2nd<\/p>\n\n\n\n

Part of Paul Vecchiali, Producer<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

“Simone Barb\u00e8s ou la vertu” (1980) \u2013 Sept 1 & 3<\/strong><\/p>\n\n\n\n

Directed by Marie-Claude Treilhou<\/p>\n\n\n\n

Marie-Claude Treilhou\u2019s debut is an unforgettable journey to the end of the night constructed from three bravura extended sequences: our protagonist\u2019s gig as an usher at a porno theater, her visit to a lesbian nightclub straight out of von Sternberg, and a ride home in the car of a suspiciously mustachioed stranger. Produced and edited by Paul Vecchiali, who would have Ingrid Bourgoin reprise her role as Barb\u00e8s in his C\u2019est la vie! later that same year, adding a fascinating intertextuality to the greater Diagonale project.<\/p>\n\n\n\n

Introduction from series curators Bingham Bryant and Graham Carter on Friday, September 1st at 9pm and Sunday, September 3rd at 7:15pm<\/p>\n\n\n\n

Part of Paul Vecchiali, Producer<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

“Sicilia!” (1999) \u2013 September 2 & 4<\/strong><\/p>\n\n\n\n

Directed by Jean-Marie Straub and Dani\u00e8le Huillet<\/p>\n\n\n\n

Shot in Syracuse and Messina, Straub and Huillet\u2019s tragicomedy\u2014based on Elio Vittorini\u2019s 1941 anti-fascist novel Conversations in Sicily\u2014follows a Sicilian returning to his native island after a long stay in New York City, introducing along the way a host of villagers representative of humble peasant fortitude. \u201cA masterpiece.\u201d\u2014James Quandt, Artforum<\/p>\n\n\n\n

Part of Straub-Huillet: Pillars<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

“Possession” (1981) \u2013 Sept 2 & 7<\/strong><\/p>\n\n\n\n

Directed by Andrzej \u017bu\u0142awski<\/p>\n\n\n\n

\u017bu\u0142awski\u2019s one-of-a-kind genre pastiche has spy Sam Neill returning to his Berlin home from a mission abroad to discover that wife Isabelle Adjani wants suddenly to split up.<\/p>\n\n\n\n

<\/p>\n\n\n\n

“Be Kind Rewind” (2008)* \u2013 September 3, 4 & 6<\/strong><\/p>\n\n\n\n

Gondry\u2019s goofy, giddy homage to backyard moviemaking begins with Jack Black\u2019s cock-eyed dreamer Jerry, zapped and magnetized during a caper at the local power station, accidentally erasing all the VHS stock at the Passaic, New Jersey, video store run by his buddy Mike (Mos Def)\u2014and only gets wilder from there, as the two pals scramble to produce homemade remakes of the missing titles. A charming, at times Capra-esque film in love with the possibilities of grassroots ingenuity, amateur enthusiasm, and community.<\/p>\n\n\n\n

Part of Close-Up: Films on Film<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

“Four Adventures of Reinette and Mirabelle” (1987) \u2013 September 7<\/strong><\/p>\n\n\n\n

Shot quickly in and around Paris during a production break on Rohmer\u2019s Le Rayon Vert, this breezy, witty film traces the exploits of two young women\u2014one an ethnology student from the city, the other an unsophisticated aspiring artist from the country. Reinette and Mirabelle (played by Jo\u00eblle Miquel and Jessica Forde) become instant friends upon meeting in the first of four vignettes that make up the film (\u201cThe Blue Hour\u201d), and in their first two days together, they decide to become roommates in Paris. Throughout the three remaining stories, they encounter many of the inevitable characters of a modern city: the impossible waiter (\u201cThe Waiter\u201d), the Metro-station hustler (\u201cThe Beggar, the Kleptomaniac and the Hustler\u201d), and the snooty gallery owner (\u201cSelling the Painting\u201d).<\/p>\n\n\n\n

<\/p>\n\n\n\n

“Le Th\u00e9\u00e2tre Des Mati\u00e8res” (1977) \u2013 September 8 & 9<\/strong><\/p>\n\n\n\n

Directed by Jean-Claude Biette<\/p>\n\n\n\n

\u201cIt\u2019s hard not to draw comparisons between the theater company so lovingly observed in this film, its troupe members and director fretting endlessly about art, money, and each other, and the Diagonale itself, nascent in one of its very first productions. Respected critic and Trafic magazine co-founder Biette makes his directorial debut here with the aid of other future directors including Jean-Claude Guiguet and No\u00ebl Simsolo, and a dedication to Biette\u2019s old friend and collaborator Pier Paolo Pasolini. Of the many films about theater and the shifting boundaries between art and life, few have come down so firmly on the side of life.\u201d\u2014Series curators Bingham Bryant and Graham Carter<\/p>\n\n\n\n

Part of Paul Vecchiali, Producer<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

“Calamity Jane & Delphine Seyrig: A Story” (2019) \u2013 September 8 & 10<\/strong><\/p>\n\n\n\n

Directed by Babette Manglote<\/p>\n\n\n\n

In 1983 Delphine Seyrig, who had known Mangolte since they worked together on Chantal Akerman\u2019s Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, approached Mangolte to be the cinematographer on a film she was making about American frontierswoman Martha Jane Canary, better known as Calamity Jane. Using the original footage of the incomplete film, uncovered in 2011, Mangolte crafted a film that is simultaneously a work of feminist historical revision, self-reflection, and a tribute to the late Seyrig. \u201cNot giving up is what the film had to be about, as it was Delphine\u2019s greatest strength.\u201d\u2014Babette Mangolte<\/p>\n\n\n\n

Introduction and post-screening Q&A with Babette Mangolte on Friday, September 8th<\/p>\n\n\n\n

Part of Life in Film: A Babette Mangolte Retrospective<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

“Alo\u00efse” (1975) \u2013 September 8 & 10<\/strong><\/p>\n\n\n\n

Directed by Liliane de Kermadec<\/p>\n\n\n\n

\u201cPolish French director de Kermadec\u2019s debut feature is a hidden masterpiece ripe for rediscovery, an unsentimental but deeply empathetic chronicle of several decades in the life of early 20th-century Swiss outsider artist Alo\u00efse Corbaz\u2014played first by Isabelle Huppert, then Delphine Seyrig. That same year, de Kermadec would also produce Chantal Akerman\u2019s Jeanne Dielman alongside Vecchiali and others. Co-written by Andr\u00e9 T\u00e9chin\u00e9, and with a characteristically superb supporting turn from Michael Lonsdale.\u201d\u2014Series curators Bingham Bryant and Graham Carter<\/p>\n\n\n\n

Part of Paul Vecchiali, Producer<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

“Irma Vep” (1996) \u2013 September 8 & 9<\/strong><\/p>\n\n\n\n

Directed by Olivier Assayas 1996<\/p>\n\n\n\n

Maggie Cheung in the role she was literally born to play: Maggie Cheung. The Hong Kong actress is imported to star in a remake of Louis Feuillade\u2019s 1915 serial Les Vampires directed by a New Wave has-been (Jean-Pierre L\u00e9aud), but then finds herself submerged in a strange world of flirtatious lesbians, bourgeois ex-radicals, Luc Besson admirers, and all-night raves, all the while becoming oddly in thrall to her form-fitting S\/M catsuit, which lures her out onto the rooftops of Paris. A meditation on global cinema at a moment of transition, a comedy about filmmaking and cultural crosstalk, and a movie so alive to the textures of contemporaneity that it hasn\u2019t aged a day.<\/p>\n\n\n\n

Part of Also Starring\u2026 Diahann Carroll<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

“Les Belles Mani\u00e8res” (1978) \u2013 September 9 & 10<\/strong><\/p>\n\n\n\n

Directed by Jean-Claude Guiguet<\/p>\n\n\n\n

\u201cA deeply moving study of love and class centered on the mysterious relationship between a country boy newly arrived in the city (Emmanuel Lemoine) and the wealthy older woman (H\u00e9l\u00e8ne Surg\u00e8re) who takes him under her wing, from film critic and Diagonale mainstay Guiguet. Sensitive and searching, it is a film about feeling beauty, about the effects and significance of an adored object, as discovered in a shadowy, twilit Paris that has rarely felt so otherworldly, or so real.\u201d\u2014Series curators Bingham Bryant and Graham Carter<\/p>\n\n\n\n

Part of Paul Vecchiali, Producer<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

“Modesty and Shame, Preceded by Kiss of Life” (1992) \u2013 September 9 & 10<\/strong><\/p>\n\n\n\n

Directed by Herv\u00e9 Guibert<\/p>\n\n\n\n

Diagnosed with AIDS and seeing the end of his life grow near, French novelist and photographer Herv\u00e9 Guibert decided to document his own final moments: at home, at endless hospital visits, in conversations with his great-aunt, and during restive moments on the island of Elba. Posthumously screened on French television, the resulting film, Modesty and Shame, is a harrowing and moving document of one man facing his body\u2019s deterioration and his own mortality with remarkable clarity, candor, and feeling. Paired with Kiss of Life, in which two HIV-positive Black men reflect on their experience living with the virus.<\/p>\n\n\n\n

<\/p>\n\n\n\n

“Cinema Paradiso” (1988)* \u2013 September 15 & 17<\/strong><\/p>\n\n\n\n

Directed by Giuseppe Tarnatore<\/p>\n\n\n\n

Famed director Salvatore embarks on a journey into his past\u2014and his nascent cinephilia\u2014upon receiving news of the death of his mentor, village cinema projectionist Alfredo (Philippe Noiret), which prompts him to leave Rome and return to his Sicilian hometown. Comprised largely of flashbacks which follow Salvatore as, under Alfredo\u2019s tutelage, he grows from movie mad preadolescence to the threshold of adult ambition, Tornatore\u2019s beloved ode to a lost paradise of popular cinema, set to a swooning score by Ennio and Andrea Morricone, has been a shining beacon for movie lovers since becoming a surprise international hit on its initial release.<\/p>\n\n\n\n

<\/p>\n\n\n\n

“Pickpocket” (1959) \u2013 September 15, 16 & 21<\/strong><\/p>\n\n\n\n

Directed by Robert Bresson<\/p>\n\n\n\n

Bresson\u2019s incomparable story of crime and redemption follows Michel (Martin LaSalle), a young pickpocket who spends his days working the streets, subway cars, and train stations of Paris. As his compulsive pursuit of the thrill of stealing grows, however, so does his fear that his luck is about to run out. A cornerstone of the career of this most economical and profoundly spiritual of filmmakers, Pickpocket is an elegant, tautly choreographed, and deeply emotional study of humanity in all its mischief and grace, the work of a director at the full height of his powers.<\/p>\n\n\n\n

Part of Life in Film: A Babette Mangolte Retrospective<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

“The Models of Pickpocket (Breaking Silence)” (2003) \u2013 September 16<\/strong><\/p>\n\n\n\n

Directed by Babette Manglote<\/p>\n\n\n\n

More than 40 years after the release of Robert Bresson\u2019s Pickpocket, Mangolte tracked down the three surviving principal cast members\u2014including leading \u201cmodels\u201d Marika Green and Martin LaSalle, found living in Mexico City\u2014to produce this revealing inquiry into the mystery of Bresson\u2019s life and precise working methodology, with each subject a wellspring of revealing reminiscences and keen observations on their late director\u2019s quest to create a cinema of total emotional honesty shorn of all theatrical effect.<\/p>\n\n\n\n

<\/p>\n\n\n\n

“Where Does Your Hidden Smile Lie?” (2002) \u2013 SVOD<\/strong><\/p>\n\n\n\n

Directed by Pedro Costa <\/p>\n\n\n\n

Costa\u2019s tribute to two figures who have exercised a profound influence on his own work, the fiercely independent Jean-Marie Straub and Dani\u00e8le Huillet, observes the duo in the process of revising their film Sicilia!<\/em> with the students at the French art school Le Fresnoy. A revealing and remarkably tender study of relationship dynamics at work.<\/p>\n\n\n\n

<\/p>\n\n\n\n

*Minority French co-production of cultural importance<\/p>\n\n\n\n

<\/p>\n\n\n\n

Read more.<\/a><\/p>\n","protected":false},"featured_media":263375,"menu_order":0,"template":"","app_discipline":[231,219],"app_city_tax":[217],"app_event_type":[239],"class_list":["post-259023","app_event","type-app_event","status-publish","has-post-thumbnail","hentry","app_discipline-audiovisual","app_discipline-cinema","app_city_tax-nyc","app_event_type-film"],"acf":[],"yoast_head":"\nFrench Films at Metrograph \u2013 September 2023 - Villa Albertine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/villa-albertine.org\/va\/events\/weve-rounded-up-a-selection-of-french-films-and-co-productions-that-will-be-screened-at-metrograph-in-september\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"French Films at Metrograph \u2013 September 2023 - Villa Albertine\" \/>\n<meta property=\"og:description\" content=\"“Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles” (1977) \u2013 September 2, 4 & 6 Directed by Chantal Akerman The late Chantal Akerman was only 24 years old when she and her nearly all-female crew made this, her 1975 masterpiece, proclaimed the greatest film ever made in the 2022 Sight & Sound poll. 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