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The Speakers<\/h3>\n\n\n\n\n\t![\"\"](\"https:\/\/villa-albertine.org\/wp-content\/uploads\/2023\/08\/Zeina-Arida-MS7-1-1-scaled.jpg\")
\n\t\t\t\n\t\t\tZaina Arida \/ Mathaf: Arab Museum of Modern Art<\/p>\n\t\t<\/figcaption>\n\t<\/figure>\n\n\n\n
Zeina Arida, Director of Mathaf: Arab Museum of Modern Art<\/em><\/u><\/strong><\/p>\n\n\n\nZeina Arida <\/strong>is the director of Mathaf: Arab Museum of Modern Art. A cultural activist in the Arab world, addressing photography, archives, and modern and contemporary art, Arida reopened the Sursock Museum in Beirut after a ten-year renovation and expansion project, initiating local and international partnerships, presenting exhibitions, public programmes, and library and archives activities, turning the museum into a local and international landmark. Following the damage caused by the Beirut blast on August 4, 2020, she led a successful fundraising campaign and secured the funds for the reconstruction of the building and the restoration of the artwork. From 1997 to 2014, she was the director of the Arab Image Foundation (AIF).<\/span> <\/span><\/p>\n\n\n\nArida provides expertise to international private and public institutions as well as consultation to arts and culture organizations, artists, and projects. She is a currently a member of the Advisory Board of Darat al Funun, Amman, a member of the Arab Image Foundation, Beirut, and a member of the Scientific Committee of the Art Mill Museum in Doha.<\/span> <\/span><\/p>\n\n\n\nShe is a member of the national committee of ICOM Qatar and a board member of CIMAM. <\/span><\/p>\n\n\n\n\n\t![\"\"](\"https:\/\/villa-albertine.org\/wp-content\/uploads\/2023\/08\/ANNEPA1-scaled.jpe\")
\n\t\t\t\n\t\t\tAnne Pasternak \/ Brooklyn Museum \u00a9Thimothy Greenfield-Sanders<\/p>\n\t\t<\/figcaption>\n\t<\/figure>\n\n\n\n
Anne Pasternak, Shelby White and Leon Levy Director of the Brooklyn Museum<\/strong><\/em><\/u><\/p>\n\n\n\nSince 2015, Anne Pasternak<\/strong> has served as the Shelby White and Leon Levy Director of the Brooklyn Museum, one of the oldest and largest fine arts institutions in the nation. For more than thirty years, Anne has devoted her career to engaging broad audiences with the limitless power of art to move, motivate, and inspire. As a staunch advocate for the civic and democratic roles our cultural and educational institutions can play, she is committed to projects that demonstrate the crucial links between art and social justice.<\/span><\/span> <\/span><\/span><\/p>\n\n\n\n
During her time at the Brooklyn Museum, Anne has focused on strengthening the Museum as a center for the visual arts that is courageous, pioneering, and inspirational. With her demonstrated imagination and skill, she envisions new ways to connect the Brooklyn Museum\u2019s historical collections with contemporary ideas and practices, such as experimenting with how to make the permanent collection and gallery spaces into more dynamic experiences. Through her leadership, Anne has also expanded the Museum\u2019s educational and public program offerings, and she has fostered remarkable special exhibitions, including\u202fThe Legacy of Lynching: Confronting Racial Terror in America\u202fand\u202fWe Wanted a Revolution: Black Radical Women, 1965\u201385. These initiatives are building the foundations for the Brooklyn Museum\u2019s new Strategic Plan, to further the Museum\u2019s mission to create inspiring encounters with art and engage the community around the issues of today. <\/span>
<\/span>
Prior to joining the Brooklyn Museum, Anne served as the director of Creative Time, where she initiated projects that gave artists opportunities to respond to political and environmental challenges, while also expanding their practice and work globally. During her tenure, the organization collaborated with hundreds of artists, including Nick Cave, Paul Chan, Jenny Holzer, and Kara Walker, commissioning and presenting works that ranged from sculptural installations in Grand Central Station\u2019s Vanderbilt Hall to skywriting over Manhattan, as well as\u202fTribute in Light, the twin beacons of light that illuminated the sky above the former World Trade Center site, and continue to be presented on the anniversaries of 9\/11.<\/span> <\/span><\/p>\n\n\n\n\n\t![\"\"](\"https:\/\/villa-albertine.org\/wp-content\/uploads\/2023\/08\/c660abecd422b45bb4e869b4b56ab5e2-1.jpg\")
\n\t\t\t\n\t\t\tElizabeth W. Easton \/ Center for Curatorial Leadership<\/p>\n\t\t<\/figcaption>\n\t<\/figure>\n\n\n\n
Elizabeth W. Easton, Director and Co-Founder of the Center for Curatorial Leadership<\/strong><\/u><\/em><\/p>\n\n\n\nElizabeth Easton<\/strong> is the Director of the Center for Curatorial Leadership (CCL), a non-profit organization she co-founded with Agnes Gund in 2007 to train museum curators in the fundamentals of management and leadership. Now in its sixteenth year and with almost 400 alumni around the world, CCL continues to provide curators with the tools necessary to assume and succeed in leadership positions.<\/p>\n\n\n\nShe previously served as the first elected president of the Association for Art Museum Curators from 2003-2006, and as chair of the Department of European Paintings and Sculpture at the Brooklyn Museum from 1999-2007. Easton earned her Ph.D. at Yale University, writing her dissertation on Edouard Vuillard’s interiors of the 1890s.<\/p>\n\n\n\n
She is the recipient of the Wilbur Cross Medal\u2014the highest honor accorded to alumni of Yale University\u2019s Graduate School\u2014and in 2008 was appointed Chevalier de l\u2019Ordre des Arts et Lettres by the French Government. She is a trustee of MASS MoCA and is also on the Visiting Committee of the Department of Paintings Conservation at The Metropolitan Museum of Art. <\/p>\n\n\n\n
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<\/p>\n\n\n\n
About the Villa Albertine Museum Series<\/em><\/h3>\n\n\n\n
\n\t\t\tZaina Arida \/ Mathaf: Arab Museum of Modern Art<\/p>\n\t\t<\/figcaption>\n\t<\/figure>\n\n\n\n
Zeina Arida, Director of Mathaf: Arab Museum of Modern Art<\/em><\/u><\/strong><\/p>\n\n\n\n Zeina Arida <\/strong>is the director of Mathaf: Arab Museum of Modern Art. A cultural activist in the Arab world, addressing photography, archives, and modern and contemporary art, Arida reopened the Sursock Museum in Beirut after a ten-year renovation and expansion project, initiating local and international partnerships, presenting exhibitions, public programmes, and library and archives activities, turning the museum into a local and international landmark. Following the damage caused by the Beirut blast on August 4, 2020, she led a successful fundraising campaign and secured the funds for the reconstruction of the building and the restoration of the artwork. From 1997 to 2014, she was the director of the Arab Image Foundation (AIF).<\/span> <\/span><\/p>\n\n\n\n Arida provides expertise to international private and public institutions as well as consultation to arts and culture organizations, artists, and projects. She is a currently a member of the Advisory Board of Darat al Funun, Amman, a member of the Arab Image Foundation, Beirut, and a member of the Scientific Committee of the Art Mill Museum in Doha.<\/span> <\/span><\/p>\n\n\n\n She is a member of the national committee of ICOM Qatar and a board member of CIMAM. <\/span><\/p>\n\n\n\n Anne Pasternak \/ Brooklyn Museum \u00a9Thimothy Greenfield-Sanders<\/p>\n\t\t<\/figcaption>\n\t<\/figure>\n\n\n\n Anne Pasternak, Shelby White and Leon Levy Director of the Brooklyn Museum<\/strong><\/em><\/u><\/p>\n\n\n\n Since 2015, Anne Pasternak<\/strong> has served as the Shelby White and Leon Levy Director of the Brooklyn Museum, one of the oldest and largest fine arts institutions in the nation. For more than thirty years, Anne has devoted her career to engaging broad audiences with the limitless power of art to move, motivate, and inspire. As a staunch advocate for the civic and democratic roles our cultural and educational institutions can play, she is committed to projects that demonstrate the crucial links between art and social justice.<\/span><\/span> <\/span><\/span><\/p>\n\n\n\n Elizabeth W. Easton \/ Center for Curatorial Leadership<\/p>\n\t\t<\/figcaption>\n\t<\/figure>\n\n\n\n Elizabeth W. Easton, Director and Co-Founder of the Center for Curatorial Leadership<\/strong><\/u><\/em><\/p>\n\n\n\n Elizabeth Easton<\/strong> is the Director of the Center for Curatorial Leadership (CCL), a non-profit organization she co-founded with Agnes Gund in 2007 to train museum curators in the fundamentals of management and leadership. Now in its sixteenth year and with almost 400 alumni around the world, CCL continues to provide curators with the tools necessary to assume and succeed in leadership positions.<\/p>\n\n\n\n She previously served as the first elected president of the Association for Art Museum Curators from 2003-2006, and as chair of the Department of European Paintings and Sculpture at the Brooklyn Museum from 1999-2007. Easton earned her Ph.D. at Yale University, writing her dissertation on Edouard Vuillard’s interiors of the 1890s.<\/p>\n\n\n\n She is the recipient of the Wilbur Cross Medal\u2014the highest honor accorded to alumni of Yale University\u2019s Graduate School\u2014and in 2008 was appointed Chevalier de l\u2019Ordre des Arts et Lettres by the French Government. She is a trustee of MASS MoCA and is also on the Visiting Committee of the Department of Paintings Conservation at The Metropolitan Museum of Art. <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n\n\t\t\t
During her time at the Brooklyn Museum, Anne has focused on strengthening the Museum as a center for the visual arts that is courageous, pioneering, and inspirational. With her demonstrated imagination and skill, she envisions new ways to connect the Brooklyn Museum\u2019s historical collections with contemporary ideas and practices, such as experimenting with how to make the permanent collection and gallery spaces into more dynamic experiences. Through her leadership, Anne has also expanded the Museum\u2019s educational and public program offerings, and she has fostered remarkable special exhibitions, including\u202fThe Legacy of Lynching: Confronting Racial Terror in America\u202fand\u202fWe Wanted a Revolution: Black Radical Women, 1965\u201385. These initiatives are building the foundations for the Brooklyn Museum\u2019s new Strategic Plan, to further the Museum\u2019s mission to create inspiring encounters with art and engage the community around the issues of today. <\/span>
<\/span>
Prior to joining the Brooklyn Museum, Anne served as the director of Creative Time, where she initiated projects that gave artists opportunities to respond to political and environmental challenges, while also expanding their practice and work globally. During her tenure, the organization collaborated with hundreds of artists, including Nick Cave, Paul Chan, Jenny Holzer, and Kara Walker, commissioning and presenting works that ranged from sculptural installations in Grand Central Station\u2019s Vanderbilt Hall to skywriting over Manhattan, as well as\u202fTribute in Light, the twin beacons of light that illuminated the sky above the former World Trade Center site, and continue to be presented on the anniversaries of 9\/11.<\/span> <\/span><\/p>\n\n\n\n\n\t\t\tAbout the Villa Albertine Museum Series<\/em><\/h3>\n\n\n\n