{"id":63971,"date":"2021-09-20T21:55:31","date_gmt":"2021-09-20T21:55:31","guid":{"rendered":"https:\/\/villa-albertine.org\/professionals\/laureats-2021-face-contemporary-theater\/"},"modified":"2023-08-23T08:11:15","modified_gmt":"2023-08-23T08:11:15","slug":"laureats-2021-face-contemporary-theater","status":"publish","type":"app_professional","link":"https:\/\/villa-albertine.org\/va\/fr\/professionals\/laureats-2021-face-contemporary-theater\/","title":{"rendered":"Laur\u00e9ats 2021 : FACE Contemporary Theater"},"content":{"rendered":"<p><u><strong>Laur\u00e9ats pour des projets de r\u00e9sidence (3)\u00a0<\/strong><\/u><\/p>\n<p><strong>Aux Etats-Unis\u00a0<\/strong><\/p>\n<ul>\n<li>\n\t<strong><em>July 1961<\/em>\u00a0de Francoise\u00a0D\u00f4\u00a0avec Roberto Negro (Pianiste) et Sylvain\u00a0Darrifourcq\u00a0(P<\/strong>ercussioniste<strong>)<\/strong>\u00a0\n\t<\/li>\n<\/ul>\n<p>BLEUS ET ARDOISE, Le Lamentin,\u00a0Martinique,\u00a0France\u00a0<\/p>\n<p><strong>2021-2022<\/strong><\/p>\n<p>R\u00e9sidence de l&rsquo;autrice et metteuse en sc\u00e8ne\u00a0<strong>Fran\u00e7oise\u00a0D\u00f4,\u00a0Compagnie Bleus et Ardoise, Martinique<\/strong>, au sein d&rsquo;institutions bas\u00e9es \u00e0 Chicago pour le d\u00e9veloppement de la pi\u00e8ce de th\u00e9\u00e2tre\u00a0<em>July 1961. <\/em>Bas\u00e9e sur les tensions sociales et le mouvement des droits civiques des ann\u00e9es 1960 dans les villes am\u00e9ricaines.\u00a0<strong>Fran\u00e7oise\u00a0D\u00f4<\/strong>, accompagn\u00e9e de deux musiciens,\u00a0<strong>Roberto Negro<\/strong>\u00a0et\u00a0<strong>Sylvain\u00a0Darrifourcq<\/strong>, d\u00e9veloppera l&rsquo;environnement musical de la pi\u00e8ce ainsi que son adaptation en langue am\u00e9ricaine.<\/p>\n<ul>\n<li>\n\t<strong><em>PAPERS<\/em>\u00a0de Violaine Schwartz (autrice) et Marion\u00a0Schoevaert\u00a0(metteuse en sc\u00e8ne)\u00a0<\/strong>\n\t<\/li>\n<\/ul>\n<p>In Parentheses, Inc., New York, NY<\/p>\n<p><strong>Printemps-\u00e9t\u00e9 2022<\/strong><\/p>\n<p>R\u00e9sidence de l&rsquo;autrice\u00a0<strong>Violaine Schwartz<\/strong>\u00a0pour d\u00e9velopper et pr\u00e9senter une adaptation th\u00e9\u00e2trale de son \u0153uvre,<em>\u00a0PAPERS<\/em>, avec la metteuse en sc\u00e8ne\u00a0<strong>Marion\u00a0Schoevaert\u00a0<\/strong>et des artistes locaux, une production de In\u00a0Parentheses,\u00a0Inc, New York, NY. Il s&rsquo;agira de la premi\u00e8re pr\u00e9sentation aux \u00c9tats-Unis de Violaine Schwartz, dont le livre <em>PAPERS <\/em>qui rassemble des r\u00e9cits de r\u00e9fugi\u00e9s et demandeurs d\u2019asile, sera bient\u00f4t publi\u00e9 par\u00a0Fern\u00a0Publication.\u00a0 Des ateliers avec des artistes d&rsquo;Afrique et du Moyen-Orient bas\u00e9s \u00e0 New York &#8211; le danseur Hussein\u00a0Smko\u00a0(Irak), l&rsquo;actrice\u00a0Okwui\u00a0Okpokwasili\u00a0(\u00c9tats-Unis-Nig\u00e9ria) et le musicien\u00a0Layale\u00a0Chaker (Liban fran\u00e7ais) seront d\u00e9velopp\u00e9s au printemps 2022 pour une production \u00e0 l\u2019automne 2022.\u00a0<\/p>\n<ul>\n<li>\n\t<strong><em>FA <\/em>de\u00a0Amoukanama\u00a0Circus\u00a0<\/strong>\n\t<\/li>\n<\/ul>\n<p><strong>Performance Spaces for the 21c.\u00a0(PS21), Chatham, NY\u00a0<\/strong><\/p>\n<p><strong>Ete 2022<\/strong><\/p>\n<p>R\u00e9sidence du\u00a0<strong>cirque\u00a0Amoukanama<\/strong>\u00a0de Guin\u00e9e, pendant l&rsquo;\u00e9t\u00e9 2022 \u00e0\u00a0<strong>PS21<\/strong>,\u00a0Chatham, NY.\u00a0\u00a0Amoukanama\u00a0(en langue Susu, \u00ab\u00a0Ce qui ne casse pas persiste toujours\u00a0\u00bb) est un cirque jeune et dynamique fond\u00e9 par<strong>\u00a0Nathalie\u00a0Vandenabeele<\/strong>\u00a0(\u00e9quitation) et\u00a0<strong>Alseny\u00a0Sacko<\/strong>\u00a0(acrobate), dont les membres ont initialement choisi le cirque comme un outil de survie. Des ateliers et des spectacles gratuits du cirque seront organis\u00e9s pour les \u00e9coles publiques de Chatham\/Hudson et le jeune public pendant cette r\u00e9sidence. Les artistes du Circus\u00a0Amoukanama\u00a0ont collabor\u00e9 avec l&rsquo;artiste multidisciplinaire et metteur en sc\u00e8ne Anthony Weiss pour la production de\u00a0FA\u00a0dont une tourn\u00e9e sera d\u00e9velopp\u00e9e par PS21 sur le territoire am\u00e9ricain.\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><strong>Laur\u00e9ats pour des aides \u00e0 la pr\u00e9sentation de\u00a0spectacles\u00a0<\/strong><\/p>\n<p><strong>Aux Etats-Unis\u00a0<\/strong><\/p>\n<ul>\n<li>\n\t<strong>Spectacles de Daniely Francisque\/Guy Regis Junior\u00a0et Felwine\u00a0Sarr\/\u00c9tienne\u00a0Minoungou<\/strong>\u00a0\n\t<\/li>\n<\/ul>\n<p>Princeton\u00a0University\u00a0\u2013 Seuls en sc\u00e8ne Festival, Princeton, NJ\u00a0<\/p>\n<p><strong>Septembre 2021 (report\u00e9 \u00e0 septembre 2022)<\/strong><\/p>\n<\/p>\n<p>Etienne Minoungou dans <em>Traces<\/em>, par Felwine Sarr<\/p>\n<p><strong>Universit\u00e9\u00a0de Princeton, NJ<\/strong>, pr\u00e9sentera\u00a0<strong>Daniely\u00a0Francisque<\/strong>\u00a0dans\u00a0<em>Moi, Fardeau Inh\u00e9rent\u00a0<\/em>de\u00a0<strong>Guy Regis Jr.<\/strong>\u00a0et\u00a0<strong>Etienne\u00a0Minoungou\u00a0<\/strong>dans\u00a0<em>Traces\u00a0<\/em>de\u00a0<strong>Felwine\u00a0Sarr\u00a0<\/strong>au Festival Seuls en sc\u00e8ne en septembre 2021 (d\u00e9plac\u00e9 \u00e0 septembre 2022).\u00a0<em>Moi, Fardeau Inh\u00e9rent<\/em>\u00a0d\u00e9nonce les violences sexuelles et le harc\u00e8lement envers les femmes.\u00a0<em>Traces<\/em>,<em> discours aux nations africaines<\/em>\u00a0\u00e9crit par l&rsquo;auteur-chercheur\u00a0Felwine\u00a0Sarr\u00a0et interpr\u00e9t\u00e9 en solo par Etienne\u00a0Minoungou\u00a0(Burkina Faso),\u00a0 est\u00a0un texte lyrique sur l&rsquo;histoire du continent africain et son avenir.\u00a0\u00a0<\/p>\n<ul>\n<li>\n\t<strong><em>It\u2019s not\u00a0here,\u00a0it\u2019s over here<\/em>\u00a0par la Compagnie\u00a0Galmae<\/strong>\u00a0\n\t<\/li>\n<\/ul>\n<p>Rochester Fringe Festival, Inc., Rochester, NY\u00a0<\/p>\n<p><strong>\u00c9t\u00e9 2021<\/strong><\/p>\n<\/p>\n<p><em>It&rsquo;s not here, it&rsquo;s over there <\/em>de la Compagnie Galmae<\/p>\n<p><strong>Rochester Fringe Festival,\u00a0NY<\/strong>,\u00a0pr\u00e9sentera une performance interactive de la\u00a0<strong>Compagnie\u00a0Galmae<\/strong>,\u00a0<em>It&rsquo;s\u00a0not\u00a0here,\u00a0it&rsquo;s\u00a0over\u00a0here\u00a0<\/em>(<em>C&rsquo;est pas\u00a0l\u00e0, c&rsquo;est par l\u00e0<\/em>\u00a0en fran\u00e7ais), dans le cadre d&rsquo;une tourn\u00e9e de la compagnie aux \u00c9tats-Unis\u00a0\u00e0 l&rsquo;\u00e9t\u00e9 2022. La performance\u00a0gratuite\u00a0se d\u00e9roulera\u00a0en\u00a0espace public\u00a0situ\u00e9\u00a0au centre-ville de Rochester.\u00a0<em>It&rsquo;s\u00a0not\u00a0here,\u00a0it&rsquo;s\u00a0over\u00a0here<\/em>\u00a0a \u00e9t\u00e9 cr\u00e9\u00e9 sous la direction artistique de\u00a0<strong>Juhyung\u00a0Lee<\/strong>\u00a0et inspir\u00e9 par ses propres\u00a0impressions\u00a0lors d&rsquo;un rassemblement \u00e0 S\u00e9oul.\u00a0<\/p>\n<ul>\n<li>\n\t<strong><em>The HOME Experiment<\/em>\u00a0par Hand2Mouth, Portland, OR, et le Begat Theater, France<\/strong>\u00a0\n\t<\/li>\n<\/ul>\n<p><strong>\u00c9t\u00e9 2022<\/strong><\/p>\n<p><strong>Hand2Mouth, Portland, OR<\/strong>,\u00a0pr\u00e9sentera la derni\u00e8re partie de la\u00a0collaboration avec la compagnie fran\u00e7aise de th\u00e9\u00e2tre de rue\u00a0<strong>Begat\u00a0Theatre<\/strong>, intitul\u00e9\u00a0<em>The<\/em> <em>HOME\u00a0Experiment<\/em>. Apr\u00e8s le d\u00e9veloppement de l&rsquo;\u00e9criture en 2020-2021, cette performance in situ aura lieu \u00e0 Portland pendant l&rsquo;\u00e9t\u00e9 2022.\u00a0<em>The HOME\u00a0Experiment<\/em>\u00a0cr\u00e9e une dystopie fictive \u00e0 partir d&rsquo;un paysage urbain v\u00e9cu \u00e0 la suite d&rsquo;une catastrophe. Elle explore de nouveaux modes de survie et de r\u00e9silience que les interpr\u00e8tes am\u00e8nent le public \u00e0 d\u00e9couvrir. La production fait appel \u00e0 des groupes de jeunes adultes\u00a0sans-abri ainsi que\u00a0des\u00a0repr\u00e9sentants\u00a0de travailleurs sociaux\u00a0et des citoyens.\u00a0<\/p>\n<ul>\n<li>\n\t<strong><em>Quake<\/em>\u00a0de Kaneza\u00a0Schaal (metteur en sc\u00e8ne) et Guy R\u00e9gis Jr.\u00a0(auteur)<\/strong>\u00a0\n\t<\/li>\n<\/ul>\n<p>c\/o\u00a0The Field, Brooklyn, NY\u00a0<\/p>\n<p><strong>2021-2022<\/strong><\/p>\n<p><strong>Kaneza\u00a0Schaal c\/o The Field\u00a0<\/strong>mettra en sc\u00e8ne\u00a0<em>Quake<\/em>,\u00a0une performance\u00a0bas\u00e9e\u00a0sur\u00a0<em>When\u00a0the\u00a0Whole\u00a0World\u00a0Quakes\u00a0<\/em>de\u00a0l&rsquo;auteur\u00a0haitien\u00a0Guy R\u00e9gis\u00a0Jr., pr\u00e9vu pour l&rsquo;automne 2021.\u00a0\u00c0 la suite du tremblement de terre d\u00e9vastateur de 2010 en Ha\u00efti, cette \u0153uvre\u00a0po\u00e9tique et all\u00e9gorique\u00a0parle des \u00e9checs de l&rsquo;\u00c9tat\u00a0face \u00e0\u00a0en temps de crise.\u00a0<em>Quake<\/em>\u00a0sera pr\u00e9sent\u00e9 dans quatre contextes, au\u00a0Festival Quatre Chemins \u00e0 Port-au-Prince, Ha\u00efti,\u00a0au\u00a0Abrons\u00a0Arts Center \u00e0 New York, \u00e0\u00a0l&rsquo;Amphith\u00e9\u00e2tre du M\u00e9morial du G\u00e9nocide \u00e0 Kigali, Rwanda, et en France (lieu en cours). En Ha\u00efti, les artistes travailleront avec un collectif de\u00a0musiciens et\u00a0un groupe d&rsquo;anciennes d\u00e9tenues \u00e0 Port-au-Prince.\u00a0<\/p>\n<ul>\n<li>\n\t<strong><em>Qui a tu\u00e9 mon p\u00e8re<\/em>\u00a0d&rsquo;Edouard Louis, mise en sc\u00e8ne de Thomas Ostermeier<\/strong>\n\t<\/li>\n<\/ul>\n<p>St. Ann\u2019s Warehouse, Inc., Brooklyn, NY\u00a0<\/p>\n<p><strong>Printemps 2022<\/strong><\/p>\n<\/p>\n<p>Edouard Louis, dans <em>Qui a tu\u00e9 mon p\u00e8re<\/em>, Photo de Jean-Louis Hernandez<\/p>\n<p><strong>St.\u00a0Ann&rsquo;s\u00a0Warehouse<\/strong>,\u00a0Brooklyn, NY,\u00a0pr\u00e9sentera\u00a0en 2022,\u00a0la premi\u00e8re am\u00e9ricaine de\u00a0<em>Qui a tu\u00e9 mon p\u00e8re<\/em> (<em>Who Killed My Father<\/em>) de l\u2019auteur\u00a0Edouard Louis. Cette performance solo,\u00a0interpr\u00e9t\u00e9e par Edouard Louis et\u00a0dirig\u00e9e par Thomas\u00a0Ostermeier\u00a0de la\u00a0Schaub\u00fchne\u00a0Berlin, une coproduction du Th\u00e9\u00e2tre de la Ville, sera pr\u00e9sent\u00e9e en fran\u00e7ais avec un surtitrage en anglais. Juxtaposant son \u00e9ducation dans la classe ouvri\u00e8re \u00e0 sa vie d\u00e9sormais privil\u00e9gi\u00e9e, Louis pr\u00e9sente une critique sociale virulente sur la brutalit\u00e9 exerc\u00e9e contre les travailleurs ainsi qu&rsquo;une d\u00e9claration d&rsquo;amour \u00e0 une personne qui ne l&rsquo;accepte pas.\u00a0<\/p>\n<ul>\n<li>\n\t<strong><em>BOUCAN<\/em>\u00a0de la compagnie Cirk\u00a0biZ\u2019arT<\/strong>\u00a0\n\t<\/li>\n<\/ul>\n<p>Presidio Theatre, San Francisco, CA\u00a0<\/p>\n<p><strong>Automne 2022\u00a0<\/strong><\/p>\n<\/p>\n<p><em>BOUCAN<\/em>, de Cirk BizArt<\/p>\n<p><strong>Presidio\u00a0Theater,\u00a0San Francisco<\/strong>, CA\u00a0pr\u00e9sentera\u00a0<em>BOUCAN<\/em>\u00a0de la compagnie de cirque contemporain\u00a0<strong>Cirk\u00a0biZ&rsquo;arT<\/strong>\u00a0\u00e0 l&rsquo;automne 2022.\u00a0Dans un style de cirque contemporain hautement physique\u00a0et\u00a0sans aucun dialogue,\u00a0<em>BOUCAN<\/em>\u00a0met en sc\u00e8ne quatre artistes de cirque qui tentent de reconstituer la s\u00e9rie d&rsquo;\u00e9v\u00e9nements qui se sont d\u00e9roul\u00e9s la nuit pr\u00e9c\u00e9dente tout en nettoyant apr\u00e8s une f\u00eate sauvage.\u00a0\u00a0<\/p>\n<ul>\n<li>\n\t<strong><em>Anywhere<\/em>, une production du<em>\u00a0<\/em>Th\u00e9\u00e2tre de\u00a0l\u2019Entrouvert\u00a0\u2013 Elise Vigneron et H\u00e9l\u00e8ne Barreau<\/strong>\u00a0\n\t<\/li>\n<\/ul>\n<p>HERE Art Center, New York, NY\u00a0<\/p>\n<p><strong>Printemps 2022\u00a0<\/strong><\/p>\n<\/p>\n<p><em>Anywhere<\/em> d&rsquo;Elise Vigneron, Th\u00e9\u00e2tre de l\u2019Entrouvert, avec Elise Vigneron et H\u00e9l\u00e8ne Barreau. Th\u00e9\u00e2tre des Bernardines, Marseille, 2016. Photo de Vincent Beaume<\/p>\n<p><strong>HERE Art Center<\/strong>,\u00a0New York, NY, pr\u00e9sentera<em>\u00a0Anywher<\/em>e\u00a0du\u00a0Th\u00e9\u00e2tre de l&rsquo;Entrouvert, dans le cadre de son programme\u00a0Dream\u00a0Music\u00a0Puppetry\u00a0au printemps\u00a02022. \u00c9crite et mise en sc\u00e8ne par\u00a0Elise Vigneron\u00a0et\u00a0H\u00e9l\u00e8ne Barreau, et inspir\u00e9e du roman\u00a0<em>\u0152dipe sur la route<\/em>\u00a0de Henry Bauchau, cette pi\u00e8ce \u00e9voque la longue errance d&rsquo;\u0152dipe accompagn\u00e9 de sa fille Antigone. L&rsquo;\u0152dipe d\u00e9chu appara\u00eet sous la forme d&rsquo;une marionnette de glace qui se transforme progressivement en eau, puis en brume, et dispara\u00eet dans la for\u00eat \u00e9rythr\u00e9enne, lieu de la voyance.\u00a0\u00a0\u00a0<\/p>\n<ul>\n<li>\n\t<strong><em>Moby Dick<\/em>\u00a0d&rsquo;Yngvild\u00a0Aspeli\u00a0\u2013 Compagnie Plexus\u00a0Polaire<\/strong>\u00a0\n\t<\/li>\n<\/ul>\n<p>Spoleto Festival USA, Charleston, SC\u00a0<\/p>\n<p><strong>Mai-Juin 2022\u00a0<\/strong><\/p>\n<\/p>\n<p><em>Moby Dick<\/em>, d&rsquo;Yngvild Aspeli<\/p>\n<p><strong>Spoleto Festival USA<\/strong>, Charleston, SC, pr\u00e9sentera six repr\u00e9sentations\u00a0de\u00a0<em>Moby\u00a0Dick<\/em>\u00a0d&rsquo;<strong>Yngvild\u00a0Aspeli<\/strong>\u00a0de la Compagnie Plexus Polaire de mai \u00e0 juin 2022. La nouvelle\u00a0production\u00a0de la\u00a0marionnettiste franco-norv\u00e9gienne,\u00a0bas\u00e9e sur le roman d&rsquo;Herman Melville,\u00a0rassemble\u00a0des\u00a0marionnettes, des\u00a0acteurs,\u00a0des projections-vid\u00e9o et un\u00a0orchestre pour\u00a0cr\u00e9er un monde de beaut\u00e9 aussi obs\u00e9dant que le roman lui-m\u00eame.\u00a0\u00a0\u00a0<\/p>\n<ul>\n<li>\n\t<strong><em>Farm Fatale<\/em>\u00a0de Philippe\u00a0Quesne\u00a0\u2013 Vivarium Studio<\/strong>\u00a0\n\t<\/li>\n<\/ul>\n<p>PS21, New York, NY\u00a0<\/p>\n<p><strong>Mai 2022\u00a0<\/strong><\/p>\n<p><strong>PS21, Chatham, NY<\/strong>, pr\u00e9sentera\u00a0<em>Farm\u00a0Fatale<\/em>\u00a0de<strong> Philippe\u00a0Quesne<\/strong>\u00a0pour le\u00a0programme de\u00a0PS21,\u00a0Chatham\u00a0Pathways\u00a0:\u00a0<em>Blazing\u00a0a Trail for a\u00a0Sustainable\u00a0Future<\/em>\u00a0en\u00a0mai 2022 comme pi\u00e8ce ma\u00eetresse de cette action publique pluridisciplinaire\u00a0offrant\u00a0au public\u00a0un nouveau th\u00e9\u00e2tre europ\u00e9en dans un environnement rural et vierge.\u00a0\u00a0<\/p>\n<h2><strong>Projets en France<\/strong>\u00a0<\/h2>\n<ul>\n<li>\n\t<strong><em>A Hunger Artist<\/em>\u00a0de Sinking Ship Productions<\/strong>\u00a0\n\t<\/li>\n<\/ul>\n<p>c\/o The Tank, New York, NY\u00a0<\/p>\n<p><strong>Septembre 2021\u00a0<\/strong><\/p>\n<\/p>\n<p>Adam Kissick\/APAP<\/p>\n<p><strong>Sinking\u00a0Ship\u00a0Productions<\/strong>\u00a0pr\u00e9sentera le spectacle\u00a0<em>A Hunger\u00a0Artist<\/em>,\u00a0une collaboration entre l\u2019acteur\u00a0Jonathan Levin,\u00a0le dramaturge\u00a0Josh Luxenburg\u00a0et le\u00a0r\u00e9alisateur\u00a0Joshua William\u00a0Gelb,\u00a0au Festival Mondial des Th\u00e9\u00e2tres de Marionnettes \u00e0 Charleville-M\u00e9zi\u00e8res en septembre 2021. Adapt\u00e9e de l\u2019histoire courte de Franz Kafka,\u00a0<em>Un Artiste de la faim<\/em>,\u00a0la performance-solo dans laquelle un homme assis seul dans une cage, se prive de nourriture pour le divertissement du public, inclut des miniatures victoriennes, et des marionnettes.\u00a0<\/p>\n<h2>Contact<\/h2>\n<p><strong>Nicole Birmann Bloom<\/strong><br \/>\nCharg\u00e9e de mission, Arts de la Sc\u00e8ne\u00a0<\/p>\n<p><a href=\"mailto:nicole.birmann-bloom@villa-albertine.org\">nicole.birmann-bloom@villa-albertine.org<\/a>\u00a0<\/p>\n","protected":false},"featured_media":61586,"menu_order":0,"template":"","app_discipline":[275],"app_city_tax":[268,269,271,270,272,267,262,264,273,274],"app_professional_category":[303],"app_professional_content_type":[305],"class_list":["post-63971","app_professional","type-app_professional","status-publish","has-post-thumbnail","hentry","app_discipline-arts-de-la-scene-fr","app_city_tax-atl-fr","app_city_tax-bos-fr","app_city_tax-chi-fr","app_city_tax-hou-fr","app_city_tax-nola-fr","app_city_tax-la-fr","app_city_tax-mia-fr","app_city_tax-nyc-fr","app_city_tax-sf-fr","app_city_tax-dc-fr","app_professional_category-arts-de-la-scene-fr","app_professional_content_type-grants_programs-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Laur\u00e9ats 2021 : FACE Contemporary Theater - Villa Albertine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/villa-albertine.org\/va\/fr\/professionals\/laureats-2021-face-contemporary-theater\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Laur\u00e9ats 2021 : FACE Contemporary Theater - Villa Albertine\" \/>\n<meta property=\"og:description\" content=\"Laur\u00e9ats pour des projets de r\u00e9sidence (3)\u00a0 Aux Etats-Unis\u00a0 July 1961\u00a0de Francoise\u00a0D\u00f4\u00a0avec Roberto Negro (Pianiste) et Sylvain\u00a0Darrifourcq\u00a0(Percussioniste)\u00a0 BLEUS ET ARDOISE, Le Lamentin,\u00a0Martinique,\u00a0France\u00a0 2021-2022 R\u00e9sidence de l&rsquo;autrice et metteuse en sc\u00e8ne\u00a0Fran\u00e7oise\u00a0D\u00f4,\u00a0Compagnie Bleus et Ardoise, Martinique, au sein d&rsquo;institutions bas\u00e9es \u00e0 Chicago pour le d\u00e9veloppement de la pi\u00e8ce de th\u00e9\u00e2tre\u00a0July 1961. 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