{"id":63967,"date":"2021-10-11T15:47:46","date_gmt":"2021-10-11T15:47:46","guid":{"rendered":"https:\/\/villa-albertine.org\/professionals\/portrait-quatuor-diotima-2\/"},"modified":"2023-08-23T08:11:14","modified_gmt":"2023-08-23T08:11:14","slug":"portrait-quatuor-diotima","status":"publish","type":"app_professional","link":"https:\/\/villa-albertine.org\/va\/fr\/professionals\/portrait-quatuor-diotima\/","title":{"rendered":"Portrait : Quatuor Diotima"},"content":{"rendered":"

Un dialogue musical et temporel : des grands classiques aux chefs-d’\u0153uvre contemporains\u00a0<\/strong><\/p>\n

Apr\u00e8s avoir jou\u00e9 une pi\u00e8ce d’Alain\u00a0Bancquart\u00a0\u00e0 Darmstadt, quatre laur\u00e9ats du Conservatoire national sup\u00e9rieur de musique de Paris ont poursuivi l’aventure du quatuor \u00e0 cordes en cr\u00e9ant le Quatuor Diotima en 1996. Le nom de cet ensemble est r\u00e9v\u00e9lateur de son ambition musicale : \u00ab\u00a0faire se rencontrer les pi\u00e8ces pr\u00e9c\u00e9dentes et celles des compositeurs avec lesquels nous travaillons\u00a0\u00bb, comme le dit si bien le violoncelliste Pierre Morlet. En effet, le nom de Diotima n’est pas un choix al\u00e9atoire rappelle l’h\u00e9ro\u00efne d’Hyp\u00e9rion de H\u00f6lderlin (po\u00e8te et philosophe romantique allemand) ainsi que l’\u0153uvre Fragmente-Stille, an Diotima de Luigi Nono (compositeur italien de musique contemporaine). Ce choix de travailler avec une large palette musicale qui va du romantisme d’avant-garde aux \u0153uvres contemporaines de compositeurs tels que Miroslav\u00a0Srnka, G\u00e9rard\u00a0Pesson, Toshio Hosokawa, Alberto Posadas, Mauro Lanza, Tristan Murail et Rebecca Saunders entre autres, cr\u00e9e un\u00a0diologue\u00a0direct entre l’histoire de la musique et les innovations actuelles.<\/p>\n

\n

\u00ab\u00a0Nous essayons toujours d’ins\u00e9rer la cr\u00e9ation dans l’histoire de la musique, car l’histoire de la cr\u00e9ation est une histoire continue. Sa force est la m\u00eame \u00e0 l’\u00e9poque de Beethoven, de Berg ou de\u00a0Lachenmann\u00a0\u00bb, explique l’altiste Franck Chevalier.\u00a0<\/p>\n<\/blockquote>\n

Ce regard sur l’histoire de la musique ravit particuli\u00e8rement les spectateurs qui d\u00e9couvrent l’influence des grands compositeurs du pass\u00e9 sur les artistes d’aujourd’hui \u00e0 travers le travail du Quatuor Diotima. La texture des m\u00e9lodies, le jeu des cordes et la superposition des instruments suscitent l’enthousiasme et, surtout, la curiosit\u00e9. Chaque saison, Quatuor Diotima utilise l’influence de sa musique sur le public pour r\u00e9v\u00e9ler des pi\u00e8ces essentielles telles que celles de Schubert, Enesco,\u00a0Jan\u00e1\u010dek, Beethoven et Bart\u00f3k, tout en proposant des portraits sur disque de compositeurs actuels.\u00a0\u00a0<\/p>\n

Quatuor Diotima : ce qui nous attend ces prochains mois\u00a0<\/strong><\/p>\n

Quels \u00e9taient les seize quatuors de Beethoven au XIXe si\u00e8cle ? Quels \u00e9taient les six quatuors de Bart\u00f3k au XXe si\u00e8cle ? Une musique c\u00e9l\u00e9br\u00e9e pour son avant-gardisme et son langage unique de communication. Le Quatuor Diotima nous a donn\u00e9 une interpr\u00e9tation personnelle de ces chefs-d’\u0153uvre, r\u00e9v\u00e9lant une partie autobiographique de ces grands compositeurs et une partie de l’histoire de la musique europ\u00e9enne \u00e0 travers diverses repr\u00e9sentations, comme au Festival de l’Orangerie \u00e0 Sceaux, au Festival George Enescu \u00e0 Bucarest, le Beethoven\u00a0Fest\u00a0de Bonn, le Festival\u00a0M\u00fasica\u00a0de\u00a0Motril, le\u00a0Muziekgebouw\u00a0d’Amsterdam, l’Auditorium de Radio-France \u00e0 Paris, le Centre culturel Onassis d’Ath\u00e8nes, le\u00a0Zaryadyehall\u00a0de Moscou, la Sc\u00e8ne Nationale d’Orl\u00e9ans et, bient\u00f4t, l’Universit\u00e9 de Chicago.\u00a0<\/p>\n

Avec ce programme de r\u00e9sidence, le Quatuor Diotima mettra \u00e9galement en valeur des compositrices exceptionnelles d’aujourd’hui avec\u00a0Brains\u00a0de\u00a0Misato\u00a0Mochizuki,\u00a0Unbreathed\u00a0de Rebecca Saunders et String Quartet No. 2 d’Ursula\u00a0Mamlok. Des pi\u00e8ces \u00e9motionnelles pleines d’audace, de passion et de po\u00e9sie, \u00e0 \u00e9couter sans mod\u00e9ration.\u00a0<\/p>\n

Tout en continuant \u00e0 interpr\u00e9ter les partitions de ces artistes vertueux, le Quatuor Diotima a \u00e9galement commenc\u00e9 \u00e0 d\u00e9voiler de nouveaux projets cette saison (2020\/2021) en travaillant sur le r\u00e9pertoire de Ravel, Chausson, et Brahms et bient\u00f4t, en pr\u00e9sentant la premi\u00e8re mondiale de\u00a0Code\u00a0is\u00a0poetry\u00a0de Luis Codera\u00a0Puzo,\u00a0Nouvelle pi\u00e8ce\u00a0de Mauricio\u00a0Sotelo,\u00a0Quintette \u00e0 cordes\u00a0avec Marc\u00a0Coppey\u00a0d’Enno\u00a0Poppe,\u00a0Nouvelle pi\u00e8ce pour quatuor \u00e0 cordes\u00a0d’Alberto Posadas,\u00a0Quatuor \u00e0 cordes n\u00b07\u00a0de Bruno\u00a0Mantovani\u00a0et plus encore sur la sc\u00e8ne europ\u00e9enne.\u00a0\u00a0<\/p>\n","protected":false},"featured_media":61571,"menu_order":0,"template":"","app_discipline":[281],"app_city_tax":[268,269,271,272,267,262,264,273,274],"app_professional_category":[307],"app_professional_content_type":[300],"class_list":["post-63967","app_professional","type-app_professional","status-publish","has-post-thumbnail","hentry","app_discipline-musique-fr","app_city_tax-atl-fr","app_city_tax-bos-fr","app_city_tax-chi-fr","app_city_tax-nola-fr","app_city_tax-la-fr","app_city_tax-mia-fr","app_city_tax-nyc-fr","app_city_tax-sf-fr","app_city_tax-dc-fr","app_professional_category-musique-fr","app_professional_content_type-resources-fr"],"acf":[],"yoast_head":"\nPortrait : Quatuor Diotima - Villa Albertine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/villa-albertine.org\/va\/fr\/professionals\/portrait-quatuor-diotima\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portrait : Quatuor Diotima - Villa Albertine\" \/>\n<meta property=\"og:description\" content=\"Un dialogue musical et temporel : des grands classiques aux chefs-d’\u0153uvre contemporains\u00a0 Apr\u00e8s avoir jou\u00e9 une pi\u00e8ce d’Alain\u00a0Bancquart\u00a0\u00e0 Darmstadt, quatre laur\u00e9ats du Conservatoire national sup\u00e9rieur de musique de Paris ont poursuivi l’aventure du quatuor \u00e0 cordes en cr\u00e9ant le Quatuor Diotima en 1996. 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